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Maggie's Cancer Caring Centres are quietly extraordinary spaces, inspired by a belief in the healing powers of architecture. It was while suffering from advanced cancer that Maggie Keswick Jencks conceived the idea of a beautifully designed space offering support to those affected by the disease and, following her death in 1995, the first centre opened in Edinburgh in 1996. There are now 17 centres around the UK. In September 2011 Timothy Hyman was asked to be artist in residence at the Maggie's Centre at the Charing Cross Hospital in London, and this book records his drawings, paintings and reflections. AUTHOR: Timothy Hyman RA is a figurative painter, curator, lecturer and the author of many acclaimed publications. SELLING POINTS: * The book is an emotive and empowering reflection on the ongoing fight against cancer * Includes beautifully intimate sketches and paintings * There are 17 Maggie's Cancer Caring Centres around the UK 45 colour
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Medieval fools hatched from eggs, pigs roasting butchers on spits, battles between pots and pans, a transvestite performance artist and a tattooed lady: these are a few examples of the startling and provocative images in this exploration of 'the carnival sense of the world' in Western art from the Middle Ages to the present day. The inspiration for this account is drawn from the early twentieth-century Russian literary critic Mikhail Bakhtin who in Rabelais and his World invoked the transforming power of 'festive laughter ... that peculiar folk humour that has always existed and has hever merged with the official culture of the ruling classes'.
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'Shocking, heartfelt and well-researched' New Statesman 'A ground-shaping book that defines the edge of so many vital contemporary debates. Hers is a voice simultaneously behind and beyond the veil' Colum McCann 'A fascinating, can't-look-away, whistle-stop tour of the Middle East' Daily Telegraph 'Brave and impassioned . . . A shocking book, and one that will make anyone who has seen veiling as a cultural issue think very hard about what is really going on' Mail on Sunday Headscarves and Hymens explodes the myth that we should stand back and watch while women are disempowered and abused in the name of religion. In this laceratingly honest account, Eltahawy takes aim both at attitudes in the...
Bhupen Khakhar (1934–2003) was active in India from the late 1960s. A gentle radical, his luminous paintings addressed issues of class, gender and sexuality with sensitive, often tragicomic nuance. This publication presents a fresh take on his artistic, social and spiritual interests. Significant essays on Khakhar’s artistic influences are accompanied by focused responses to key works by leading writers, curators and artists. Khakhar’s unique voice is revealed in excerpts from the last interview before his death in 2003, and in a facsimile reproduction of the artist’s book Truth is Beauty and Beauty is God, out of print since 1972. With personal and touching contributions by those who knew him, this richly illustrated publication is an essential reference to one of the most compelling and unique voices in twentieth-century art, as well as a significant contribution to the field of international modernism. 0Exhibition: Tate Modern, London, UK (01.06-06.11.2016) / Deutsche Bank Kunsthalle, Berlin, Germany (18.11.2016-06.03.2017).
"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs."—The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks—over 300 works gathered from collections all over the world."—The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey ...
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