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Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves - not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and Republic and Empire.
The first major publication on O'Sullivan in more than 30 years, this book offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon.
"Published to accompany an exhibition of the same name at the Art Institute of Chicago, Oct. 22, 2011-Jan. 15, 2012 and the Nelson-Atkins Museum of Art, Apr. 12-Aug. 26, 2012"--T.p. verso.
"Timothy H. O'Sullivan was one of America's great photographers as the more than 400 superb examples of his art reproduced here testify.... Until recently, many of O'Sullivan's finest photographs have mistakenly been attributed to Matthew Brady, his friend and mentor. Novelist and historian James D. Horan here sets the record straight, and through more than a decade of painstaking research, reconstructed the obcscure but remarkable life of a man of great talent and courage."--Dust jacket.
From Homer to the moon, this volume explores the epic journey across space and time in the ancient world.
"One of the first photographers to cross the American frontier, Timothy H. O'Sullivan met the challenge of the West's grandeur and mystery by creating landscapes of compelling subtlety and original vision. From 1867 to 1874, as photographer to the King and Wheeler geological surveys, O'Sullivan traveled thousands of miles, from San Francisco to Colorado, from the Arizona Indian territory to Idaho's Snake River. He made more than one thousand photographs in the field, ranging from scenes of the deserts of Nevada and California, the heights of the Humboldt Mountains, and torrential waters of Shoshone Falls to pictures taken inside mines illuminated by magnesium flares. O'Sullivan's western pho...
King of the Bowery is the first full-length biography of Timothy D. "Big Tim" Sullivan, the archetypal Tammany Hall leader who dominated New York City politics—and much of its social life—from 1890 to 1913. A poor Irish kid from the Five Points who rose through ambition, shrewdness, and charisma to become the most powerful single politician in New York, Sullivan was quick to perceive and embrace the shifting demographics of downtown New York, recruiting Jewish and Italian newcomers to his largely Irish machine to create one of the nation's first multiethnic political organizations. Though a master of the personal, paternalistic, and corrupt politics of the late nineteenth century, Sulliv...
Photographs taken in the field provide an extraordinary commentary upon the Civil War
Almost a century ago a small body of men engaged in combat with the armed forces of an Empire. Militarily they were weak. Their strength lay in their faith in their cause and in the unflinching support of a civilian population which refused to be cowed by threats or by violence. This new edition of Kerry's Fighting Stories features stories and reports from every aspect of the conflict, from the formation of the Volunteers in Kerry early in the twentieth century, through the first casualties as the Easter Rising took its toll and on to the campaigns in the East and West of the county during the war of Independence itself. With barracks attacks, ambushes, shootings and even engagements with warships, it brings to life a conflict that is fading from the collective memory of the county and country. This classic account, with a new introduction by Professor J.J. Lee, offers a fascinating insight into the struggle for independence in Kerry from the perspective of those who took part in the actions themselves.