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In 1989 the Berlin Wall came down. Two years later the Soviet Union disintegrated. The collapse of communism in Eastern Europe and the Soviet Union discredited the idea of socialism for generations to come. It was seen as representing the final and irreversible victory of capitalism. This triumphal dominance was barely challenged until the 2008 financial crisis threw the Western world into a state of turmoil. Through analysis of post-socialist Russia and Central and Eastern Europe, as well as of the United Kingdom, China and the United States, Socialism, Capitalism and Alternatives confronts the difficulty we face in articulating alternatives to capitalism, socialism and threatening popul...
We are, all of us, intimately familiar with inequalities. Whether finding somewhere to live, walking in the street, following the news, negotiating international travel, or in our working and personal lives, subtle and crude hierarchies shape our lived experience. How the other half lives contributes detailed, multidisciplinary, and qualitative explorations of the everyday social and spatial realities of inequality, drawing new lines from Manchester to Milan, from Brighton to Bologna. Uniquely structured as a series of oppositions between peaks and troughs, with each chapter focusing on a specific subject, including: housing, urban design, place-making, the state, cultures of inequality, and transnational mobility. This book is a resource to navigate an unequal world, oriented around three key understandings of inequality as contingent, intersectional, and interrelated. This book is relevant to United Nations Sustainable Development Goal 10, Reduced inequalities
This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban, and societal relationships of Manifesta – European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era. Despite being one of the most important recurrent exhibitions taking place in Europe, surprisingly little has been written about it since the mid-2000s, Manifesta, Art, Society and Politics provides a deeply-researched and engaging analysis of the the critically overlooked Manifesta exhibitions, as well as it's changing goals and discourse since the first edition in 1996. The book is split into four parts, divided by theme and following the exhibitions chronologically. Providing a comprehensive overview of one of the most important biennials in Europe, Manifesta, Art, Society and Politics investigates the relationship between large-scale art exhibitions, culture-led regeneration, and urban transformation. It is essential reading for students and researches of exhibition and curatorial studies, art history, and cultural studies.
The reconstruction of one of the rare Caribbean slave narratives is an amplification, interrogation, and modification of its original texts by cross-reference with official documents, contemporary diary entries and reports, present-day oral sources, and secondary analyses of plantation society. Accessing a variety of primary records, Maureen Warner-Lewis meticulously reconstructs a biography of enslaved Archibald Montieth, an Igbo, who was brought to Jamaica around 1802, became active in the Moravian Church and later purchased his freedom. Through Monteath's biography she explores the sociology of slavery from 1750 to the 1860s. Fieldwork conducted in Africa brings an important dimension to the work, and scholars of Caribbean history, church history, diasporic studies, Atlantic studies and Jamaica will find it of significant interest.
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