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"The visual arts, a privileged means of communicating Christian belief for more than a thousand years, were marginalized if not rejected by 16th-century reformers. This volume, containing papers read in a five-part conference held in France, Italy and the USA in 2017, brings together Catholic, Protestant, Orthodox and Anglican theologians, art historians and artists in an unprecendented ecumenical conversation indispensable for furture dialogue. With its broad range of confessional and methodological viewpoints, it offers an 'agora' experience of faith-based reactions to human creation and communication."--
This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.
"Prayer is natural for human beings, a spontaneous impulse common in all people. Yet, beyond instinct, there is a kind of prayer that's conscious and articulate, that we have to be taught. There is an "art of prayer," when faith and prayer become creative responses of creatures made in the image and likeness of their Creator relating to him with help of the imagination. Monsignor Timothy Verdon explores these essential interactions in this magnificent book. Explaining that images work in believers as tools teaching them how to turn to God, and aided by the illustrations of fine art throughout the centuries, Art and Prayer explores in detail how prayer can become the fruit of a sanctified imagination --- a way of beauty and turning to God." -- the back cover.
A major survey on both the art and decoration of Sta. Maria del Fiore in Florence, and early Renaissance art.
Do 21st-century women and men still believe that museums can, through the way they display art, help shape their visitors' sense of the dignity of the person? Through the readings of history and style which they propose, can museums help bridge the gap that today seems to separate present from past, isolating individuals and groups in a contemporaneity without roots? If so, how? If not, why?
A landmark book on the role of visual arts, beauty and aesthetics in ecumenical exchange. For the 500th Commemoration Year of the Reformation. "This world in which we live needs beauty if it would not fall into despair. Beauty, like truth, puts joy in men's hearts and is a precious fruit able to resist the wear of time, able to unite one generation with another, helping them communicate in shared admiration" --Pope Paul VI at the end of Vatican II
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
"A Broken Beauty examines recent ideas about beauty and the human image in light of the Western Classical and Christian traditions of the human figure. The book's five essays trace the historical fusion of Classical and Christian ideas about beauty, as well as their rejection by much modern art, provocatively suggesting that the difficulties encountered by the beautiful in modernity may be related to a loss of faith." "This volume culminates in a look at fifteen postmodern North American artists whose haunting pieces unite brokenness and beauty in a way that is uncommon within contemporary art. These artists, like the book's essayists, find significance in beauty that is cultivated amidst the perennial human struggle for goodness, meaning, and dignity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved