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Translation and the Book Trade in Early Modern Europe
  • Language: en
  • Pages: 285

Translation and the Book Trade in Early Modern Europe

This collection underscores the role played by translated books in the early modern period. Individual essays aim to highlight the international nature of Renaissance culture and the way in which translators were fundamental agents in the formation of literary canons. This volume introduces readers to a pan-European story while considering various aspects of the book trade, from typesetting and bookselling to editing and censorship. The result is a multifaceted survey of transnational phenomena.

Thomson Bank Directory
  • Language: en
  • Pages: 2052

Thomson Bank Directory

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Titian's Portraits through Aretino's Lens
  • Language: en
  • Pages: 240

Titian's Portraits through Aretino's Lens

None

Le città del sogno
  • Language: it
  • Pages: 180

Le città del sogno

Collected essays, in part already published, on the 15th-16th century city and its bearings on modern urban planning.

Biografia degli artisti
  • Language: it
  • Pages: 1130

Biografia degli artisti

  • Type: Book
  • -
  • Published: 1840
  • -
  • Publisher: Unknown

None

Biografia degli artisti
  • Language: it
  • Pages: 1126

Biografia degli artisti

  • Type: Book
  • -
  • Published: 1840
  • -
  • Publisher: Unknown

None

Rand McNally International Bankers Directory
  • Language: en
  • Pages: 2902

Rand McNally International Bankers Directory

  • Type: Book
  • -
  • Published: 1986
  • -
  • Publisher: Unknown

None

The Rand McNally Bankers Directory
  • Language: en
  • Pages: 2026

The Rand McNally Bankers Directory

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Leone Leoni and the Status of the Artist at the End of the Renaissance
  • Language: en
  • Pages: 269

Leone Leoni and the Status of the Artist at the End of the Renaissance

  • Categories: Art
  • Type: Book
  • -
  • Published: 2017-07-05
  • -
  • Publisher: Routledge

The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight. His remarkable leap in status from his humble birth to a stonemason's family, to his time as a galley slave, to living as a nobleman and courtier in Milan provide a specific case study of an artist's struggle and triumph over existing social structures that marginalized the Renaissance artist. Based on a wealth of discoveries in archival documents, correspondence, and contemporary literature, the author examines the strategies Leoni employed to achieve his high social position, such as the friendships he formed, the type of education he sought out, the artistic imagery he employed, and the aristocratic trappings he donned. Leoni's multiple roles (imperial sculptor, aristocrat, man of erudition, and criminal), the visual manifestations of these roles in his house, collection, and tomb, the form and meaning of the artistic commissions he undertook, and the particular successes he enjoyed are here situated within the complex political, social and economic contexts of northern Italy and the Spanish court in the sixteenth century.