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Tobias Zielony: the Fall
A six-volume slipcased retrospective of Zielony's photography and video from the past 20 years Published for Tobias Zielony's (born 1973) exhibition at Museum Folkwang in Essen, this box set surveys his various documentations of youth culture.
Ten Cities
A nocturnal journey through local histories of clubbing in Africa and Europe The image of the DJ dragging his record case through international "non-places" and deejaying in clubs around the globe is a contemporary cliché. But these club scenes have rich, geographically differentiated local histories and cultures. This book expands the focus beyond the North Atlantic clubbing axis of Detroit-Chicago-Manchester-Berlin. It looks at ten club capitals in Africa and Europe, reporting on different scenes in Bristol, Johannesburg, Cairo, Kyiv, Lagos, Lisbon, Launda, Nairobi and Naples. The local music stories, the scenes, the subcultures and their global networks are reconstructed in 21 essays and photo sequences. The tale they tell is one of clubs as laboratories of otherness, in which people can experiment with new ways of being and assert their claim to the city. Ten Cities is a nocturnal, sound-driven journey through ten social and urban stories from 1960 through to the present.
ALLES
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Jenny Jenny
German artist Tobias Zielonys recent photo series began with a chance
Vele Di Scampia
"Le Vele di Scampia" is a futuristic housing estate in northern Naples and a Camorra battlefield. Conceived by Francesco di Salvo in the late seventies and widely recognised for their urbanistic, "Le Vele" (The Sails) were squatted by mafia families even before completion. Today the building complex is a symbol of the Camorra's power in the Naples region and a key centre of European drug trafficking. Matteo Garrone shot his movie "Gomorra" based on the novel by Roberto Saviano on the site in 2008. Tobias Zielony's film "Le Vele di Scampia" from 2009 originates in this very place. Seven thousand single images, shot at night with a digital single-lens reflex camera, are used to create nine minutes of animation film. The book "Vele" is based on this animation film with an selection of 287 single images.--Publisher.
Tobias Zielony: Tobias Zielony, Mazlum Nergiz: The Street
In summer 2021, the Museum Folkwang in Essen will be showing the work of Tobias Zielony in a large survey exhibition, featuring photographs and video works from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionized the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction, engaging in...
Manitoba
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The Videoart at Midnight Artists Cook Hb
Eighty renowned video artists reveal their favorite recipes Collecting personal recipes from some of today's most important video artists, this book includes contributions from Douglas Gordon, Harun Forocki, Ed Atkins, Keren Cytter, Anri Sala and Omer Fast.
The Photobook
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
I Walk Toward the Sun Which Is Always Going Down
In Alan Huck?s image-text book, '?I walk toward the sun which is always going down?', an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city?s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book?s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one?s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
