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The Music of Aaron Copland
  • Language: en
  • Pages: 272

The Music of Aaron Copland

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

None

Experiencing Music
  • Language: en
  • Pages: 152

Experiencing Music

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' wo...

Pandemonium
  • Language: en

Pandemonium

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

Svetik
  • Language: en
  • Pages: 462

Svetik

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

A profusely-illustrated examination of the childhood and formative years of Sviatoslav Richter, whose name has been synonymous with the pinnacle of pianistic art.

Comrades in Art
  • Language: en
  • Pages: 288

Comrades in Art

The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --

George Enescu
  • Language: en
  • Pages: 328

George Enescu

The Romanian composer George Enescu ([881-1955] is one of the neglected giants of the twentieth century. Prodigiously gifted, he became best known in America as a conductor [where he was considered as a successor to Toscanini in New York] and in Europe as one of the greatest violinists of the century. But he was first and foremost a composer; and, tragically, his mature works - works of extraordinary emotional depth and intricate beauty - remain almost unknown outside Romania. This, the first full-length study of Enescu and his music to be written in the West, tells the story of his life and development as a composer. All of Enescu's published compositions, and many unpublished works, are discussed, and there is a detailed list of Enescu's compositions and a list of all his known recordings as conductor, violinist and pianist. The book is intended for the non-specialist reader as well as the musicologist. NOEL MALCOLM, the historian, philosopher and journalist, is the leading authority on Enescu.

The Music of E.J. Moeran
  • Language: en
  • Pages: 296

The Music of E.J. Moeran

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

E.J. Moeran 1894-1950] is one of the outstanding British composers of his generation, his music championed by Sir Adrian Boult, Vernon Handley, Norman Del Mar and others. His work covers a considerable variety of forms, from the widely acclaimed Symphony in G minor to exquisite songs and piano miniatures. But hi life and career were far from easy. A grievous shrapnel wound in World War I left him with a tendency towards alcoholism, exacerbated by a riotous four-year sojourn with Peter Warlock, which inhibited his ability to compose. Freed from the weight of Warlock's personality, Moeran went on to complete his Symphony, two concertos, and much else of enduring value and importance. In this first-ever full-length study of his music, Geoffrey Self examines Moeran's output chronologically, from his early piano and chamber music and tone-poems to the late masterpieces of the Cello Concerto and Cello Sonata. GEOFFREY SELF was Head of Music at Cornwall Technical College until 1981. He received a B.Mus. from the University of London and an M.Phil. from Exeter.

Edexcel AS Level Music Revision Guide
  • Language: en
  • Pages: 112

Edexcel AS Level Music Revision Guide

The Edexcel AS Level Music Revision Guide presents all the key information you will need to know for the written exam (Component 3 – Appraising) of the 2016 AS Level specification – For exams 2017 onwards. It includes the most important facts about each of the AS Level set works, extensive practice for the main essay question in the exam (Section B, essay 2), including sample answers and ‘examiner’s points’ and a guide to the terminology you will need to know, to help you prepare for questions on the set and ‘unfamiliar’ works. Clear and concise, this is the perfect preparation for any student taking the Edexcel AS Level Music exams.

There's a Place For Us: The Musical Theatre Works of Leonard Bernstein
  • Language: en
  • Pages: 444

There's a Place For Us: The Musical Theatre Works of Leonard Bernstein

  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

Leonard Bernstein was the quintessential American musician. Through his careers as conductor, pianist, teacher and television personality he became known across the US and the world, his flamboyance and theatricality making him a favourite with audiences, if not with critics. However, he is perhaps best remembered as a composer, particularly of the musical West Side Story, and for songs such as 'America', 'Tonight' and 'Somewhere'. Dr Helen Smith takes an in-depth look at all eight of Bernstein's musical theatre works, from the early On the Town written by the 26-year-old composer at the start of his career, to his second and last opera A Quiet Place in 1983; in between these two pieces he c...

Looking and Listening
  • Language: en
  • Pages: 217

Looking and Listening

Looking and Listening: Conversations between Modern Art and Music invites the art and music lover to place these two realms of creative endeavor into an open dialog. Although the worlds of music and visual art often seem to take separate paths, they are usually parallel. Conductor and art connoisseur Brenda Leach takes unique pairings of well-known visual art works and musical compositions from the twentieth century to identify the shared sources of inspiration, as well as similarities in theme, style, and technique, to explore the historical and cultural influences on the great artists and composers in the twentieth century. Looking and Listening asks and answers: What does jazz have in com...