Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Nineteenth-Century Salesian Pentecost, The
In the wake of the French Revolution and other upheavals, Don Bosco (1815–1888) and other nineteenth-century founders and spiritual leaders contributed to the development of spiritual practices and perspectives on the Christian life that have been described as the “Salesian Pentecost.” Here are translations of and commentaries on the little-known spiritual writings of Don Bosco, his collaborators, and his contemporaries involved in the Salesian Pentecost. These diverse persons, fully engaged in apostolic ministry or occupied with the demands of ordinary life as lay women and men, were at the same time engaged in conscious spiritual practices that sought the interior exchange of the heart of Jesus for the human heart.
Imagery and Ideology
Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of "modernity." Illustrated.
Remembering a Dream
In order to mark the bicentenary of the foundational dream that Saint John Bosco experienced when only nine years of age (1824), this book offers readers reflections on a number of biblical and theological themes that emerge from the simplicity yet depth of that dream. In the first place, certain elements from the life and person of Jesus are presented as the model for a so-called 'Salesian' spirituality and life-style. Those elements are outlined as an awareness that Jesus never abandons his fragile disciples, and that a genuinely Christian education writes on the hearts of the young. They are never abandoned in the challenging all-pervasive secularity of contemporary society. It closes with a summons to a deeper awareness of the universal possibility of 'the perfection of love' as Saint Francis de Sales (1567-1622) taught, well before his fellow Savoyard, John Bosco (1815-1888).
ACLA Bulletin
None
ACLA
None
Women’s Deliberation: The Heroine in Early Modern French Women’s Theater (1650–1750)
Women’s Deliberation: The Heroine in Early Modern French Women’s Theater (1650–1750) argues that women playwrights question traditional views on women through their heroines. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in plays from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. I argue that the "deliberative heroine," emerging at the dawn of the...
Tu sais, mon vieux Jean-Pierre
Tu sais, mon vieux Jean-Pierre is inspired by the work of archaeologist Jean-Pierre Chrestien (1949–2008), who worked hand-in-glove with a generation of researchers in helping to unearth unexpected and always interesting aspects of New France. Contributions focus first upon the door to New France in the Gulf of St. Lawrence, Newfoundland and Acadia. A second set of essays move further up the St. Lawrence and into the heartland of the continent. The final section examines aspects of Canadian culture: popular art, religion and communication. The essays share a curiosity for material culture, a careful regard for detail and nuance that forms the grain of New France studies, and sensitivity to the overall context that is part and parcel of how history proceeds on the local or regional scale. Happily we can now dispense with old-fashioned and facile generalizations about the allegedly absent bourgeoisie, the purportedly deficient commercial ethic of the habitants and the so-called underlying military character of the colony and get down the business of understanding real people and their possessions in context.
The Eighteenth Century
In their hundreds of entries and reviews the editorial staff have expanded both the quantity and depth of the work but also re-evaluated the subject headings to better reflect the needs of users, be they professionals or students. General categories include printing and bibliographical studies; historical, social and economic studies; philosophy,
