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Guide to broad range of terms used in the study of the history of Christian art and architecture, including themes, artists and movement.
The Image of Christ in Modern Art explores the challenges presented by the radical and rapid changes of artistic style in the 20th century to artists who wished to relate to traditional Christian imagery. In the 1930s David Jones said that he and his contemporaries were acutely conscious of ’the break’, by which he meant the fragmentation and loss of a once widely shared Christian narrative and set of images. In this highly illustrated book, Richard Harries looks at some of the artists associated with the birth of modernism such as Epstein and Rouault as well as those with a highly distinctive understanding of religion such as Chagall and Stanley Spencer. He discusses the revival of conf...
This edition originally published: 2013.
A vibrant critical exchange between contemporary art and Christianity is being increasingly prompted by an expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, this book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? What viable language or strategies can be formulated to understand and analyse art's...
This dictionary is a fascinating guide to the broad range of terms used in the study of the history of Christian art and architecture, including themes, artists, and movements. The long-awaited new edition includes entries by over a dozen expert contributors, and a fully revised online bibliography, bringing it up to date for the 21st century.
Christianity spread across North Africa early, and it remained there as a powerful force much longer than anticipated. While this African form of Christianity largely shared the Latin language and Roman culture of the wider empire, it also represented a unique tradition that was shaped by its context. Ancient African Christianity attempts to tell the story of Christianity in Africa from its inception to its eventual disappearance. Well-known writers such as Tertullian, Cyprian, and Augustine are studied in light of their African identity, and this tradition is explored in all its various expressions. This book is ideal for all students of African Christianity and also a key introduction for anyone wanting to know more about the history, religion, and philosophy of these early influential Christians whose impact has extended far beyond the African landscape.
This book is the first ever written on the meaning and value of using art forms in the ministry of spiritual direction. The use of art by spiritual directors has the capacity to deepen understanding and enrich the full experience of spiritual direction. Included are the biblical, theological, and very practical aspects related to the use of art: how these truths are expressed in various genres of art and in ways that bring depth of knowledge, wisdom, and guidance in understanding one’s relationship with God and others, as well as the possibilities for further growth and maturity in those relationships. The text is written for spiritual directors, their mentors, and supervisors, and for those receiving the ministry of direction. It provides encouragement and is instructive for all those desiring to increase their knowledge, understanding, and level of experience in the profound opportunities for individuals’ spiritual formation, conformation, and transformation in the ministry of spiritual direction.
Drawing upon the pioneering work of the British theologian David Brown who argues for a non-static, ‘moving text’ that reaches beyond the biblical canon, this volume brings together twelve interdisciplinary essays, as well as a response from Brown. With essays ranging from New Testament textual criticism to the fiction of David Foster Wallace, The Moving Text provides an introduction to Brown and the Bible that will be of interest to undergraduate and postgraduate students, as well as specialists in a wide range of fields. Contributions include: Ian Boxall (The Catholic University of America) "From the Magi to Pilate's Wife: David Brown, Tradition and the Reception of Matthew's Text," Robert MacSwain (The University of the South) "David Brown and Eleonore Stump on Biblical Interpretation," Aaron Rosen (Rocky Mountain College) "Revisions of Sacrifice: Abraham in Art and Interfaith Dialogue," Dennis F. Kinlaw III (Houston Baptist University) "The Forms of Faith in Contemporary American Fiction".
This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarc...