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Does sexism against men exist? What it looks like and why we need to take it seriously This book draws attention to the "second sexism," where it exists, how it works and what it looks like, and responds to those who would deny that it exists. Challenging conventional ways of thinking, it examines controversial issues such as sex-based affirmative action, gender roles, and charges of anti-feminism. The book offers an academically rigorous argument in an accessible style, including the careful use of empirical data, and includes examples and engages in a discussion of how sex discrimination against men and boys also undermines the cause for female equality.
The relation between feminism and men is often presumed to be antagonistic, so that men are expected to resist feminism, and feminists are assumed to hate men. That pattern of opposition is disrupted, however, by the continually increasing numbers of men who are participating in feminist theory and practice, trying to integrate feminist perspectives into their scholarship, teaching, work, play, friendships, and romantic involvements. Responses to this male feminism have varied. Sometimes male feminists find some female feminists critical of men who oppose or decline to join feminist projects, but also rebuff the few men who do undertake feminist projects. On the other hand, some women femini...
Reproduction of the original.
"The Dinner Club" is a mystery novel, written in 1923 by British author Herman Cyril McNeile (1888-1937; commonly known as Cyril McNeile and often publishing under the name H.C. McNeile or the pseudonym "Sapper"). On a certain day in the year of grace 1920, there came into being a special and very select club, with no entrance fee and no subscription, which made it different from all other clubs. Its membership was limited to six: the Actor, the Barrister, the Doctor, the Ordinary Man, the Soldier, and the Writer. And the only rule of the club was, that on certain nights, to be mutually agreed on, the member whose turn it was should give to the remaining members an exceedingly good dinner ...
He lost everything . . . but his duty to her brought him back to life. Innkeeper Oriana Thorpe is a smuggler’s daughter hardened by a legacy she cannot escape. She has risked everything in her attempts to do so, including her safety, going so far as to challenge her evil pirate brother, Charles, in order to save a lady and her maid from his wrath. Determined to atone for his villainy, Oriana decides to distribute the blood money he left behind to the widows and orphans living nearby. As threatening letters promising retribution begin to arrive from Charles, she suspects one or more of her customers may be her despicable brother’s spies. And when one haunted man promises to protect her, s...
This book addresses the urgent problem of gender-based violence in universities and how activists (faculty, staff, and students) can affect change on university campuses. The contributors provide a new analysis of higher education culture by showcasing ways to transform it.
This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being university undergraduate teachers and students of film and media studies. Areas of emphasis include spectatorship, narrative, and ideology. Many illustrative case studies from popular cinema are used to offer students an opportunity to consider the connotations of visual and aural elements of film, narrative conflicts and oppositions, the implications of spectator “positioning” and viewer identification, and an ideological critical approach to film. Explanations of key terminology are included, along with classroom exercises and practice questions. Each chapter begins with key definitions and explanations of the concepts to be studied, including some historical background where relevant. Case studies include film noir, Kathryn Bigelow’s Strange Days and the work of directors Spike Lee, Claire Denis, and Paul Verhoeven. Studying Feminist Film Theory is a revised and expanded version of Feminist Film Studies: A Teacher’s Guide, published by Auteur in 2007.