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After Bloody Sunday investigates the ways in which the events in Derry on January 30, 1972, have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Thirty-six years after the killing and wounding of twenty-six civil rights protestors in Derry, the new independent tribunal chaired by Lord Mark Saville of Newdigate is close to publishing its findings. The Report of the Bloody Sunday Inquiry promises to be the most comprehensive act of truth-recovery yet attempted in relation to the many atrocities that scarred the North of Ireland during ...
How do individuals, who are part of a community, respond to the stranger as a stranger: i.e. without simply positioning this outsider in opposition to the community in which they are located? How may individuals receive something unknown and therefore surprising into their world without compromising it by identifying it in the terms of that world? In this study, Mike Marais traces the various ways in which Coetzee's fiction, from Dusklands through to Slow Man, repeatedly poses such questions of hospitality. It is shown that the form of ethical action staged in Coetzee's writing is grounded not in the individual's willed and rational achievement, but in his or her invasion and possession by t...
The Sublime Today considers contemporary applications of aesthetic philosophy and earlier theories of the sublime from Longinus, Boileau, Burke, Kant, and Hegel to current literary and cultural contexts. Today, aesthetic experience itself seems to be changing, given the rise of new media and new conditions for the viewing and the reception of works of art. How might the rhetoric of the sublime be used to both describe our current situation and help formulate constructive responses to it? The Sublime Today collects the work of scholars in literature, film, art, and media studies and provides a forum for investigating the contemporary relevance of the sublime, both as it has been understood hi...
How free is the Northern Irish writer to produce even a short poem when every word will be scrutinised for its political subtext? Is the visual artist compelled to react to the latest atrocity? Must the creative artist be aware of his or her own inculcated prejudices and political affiliations, and must these be revealed overtly in the artwork? Because of these and other related questions, the recent work by Northern Irish writers and visual artists has been characterised by an inward-looking self-consciousness. It is an art that relays its personal responses in guarded, often coded ways. Characterised by obliquity and self-reflexivity, the art does not simply re-present events and the artis...
The author of such works as Lamb, Cal, and Grace Notes, Bernard MacLaverty is one of Northern Ireland's leading-and most prolific-contemporary writers. Bringing together leading scholars from a full range of critical perspectives, this is a comprehensive survey of contemporary scholarship on MacLaverty. Covering all of his novels and many of his short stories, the book explores the ways in which the author has grappled with such themes as The Troubles, the Holocaust, Catholicism, and music. Bernard MacLaverty: Critical Readings also includes coverage of the film adaptations of his work.
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, s...
Revises the semiotic paradigm of the early modern 'literary system' dominant since 1983 by adapting methods entailed in the idea that literary works emerge through a series of semiotic events. Davis analyzes Philip Sidney's Arcadia and Astrophil and Stella to demonstrate how design elements stage the scene of reading these works.
The incomparable George Hamilton returns with a superb offering of travails and anecdotes spanning his five decades on our airwaves and on our screens, always at the heart of Irish culture. Picking up where his first offering, The Nation Holds Its Breath, left off, George continues to illuminate the path that took him from the Cregagh Road in Belfast to the most extraordinary locations across the world. Whether going behind the scenes of his beloved Lyric FM show or reliving the dramatic events of the 100-metre final at the 1988 Seoul Olympics, the reader will be captivated once more by George’s storytelling as he expertly weaves tales and paints the most evocative pictures. Sport, music and travel are intertwined throughout – George’s love for all three evident on every page. His writing style is consistently surprising; the reader is never quite certain where George is taking them but few will be able to resist being caught up in the stories and going along for the ride. The Hamilton Notes is a delightful manifestation of that old adage – ‘It’s not the destination, it’s the journey.’ And there could be no finer raconteur to guide the reader along the way.