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Constructivism has been traded as a new paradigm by its advocates, and criticised by its opponents as legitimating deceit and lies, as justifying a trendy post-modern "Anything goes". In this book, Bernhard Poerksen draws up a new rationale for constructivist thinking and charts out directions for the imaginative examination of personal certainties and the certainties of others, of ideologies great and small. The focus of the debate is on the author's thesis that our understanding of journalism and, in particular, the education and training of journalists, would profit substantially from constructivist insights. These insights instigate, the claim is, an original kind of scepticism; they provide the underpinnings of a modern type of didactics oriented by the autonomy of learners; and they supply the sustaining arguments for a radical ethic of responsibility in journalism.
Tom loves Nina. Nina loves Tom. She only has a few days left to live. The biggest love story sinceLove Story. Barcelona, 1983: Tom has never seen anyone like Nina. She looks like a thirteen-year-old boy and has the stare of a hardened gangster. She's stubborn, bitchy and self-confident. She's also aimless, and much more sensitive than she wants to admit. He falls in love with her at first sight, and doesn't budge from her side until she takes pity on him and they drive from Barcelona to snowy Berlin in an old Mercedes. There they live in an unheated factory, experimenting with pop, drugs, andsex. By now Tom works as an international reporter, while Nina stands in front of the mirror and chain-smokes. Then the Berlin Wall comes down and the restless couple move on to LA, among the rich and the beautiful. Years later they have two sons and find out that cancer is ravaging Nina's body. Tom Kummer, the "Bad Boy" of German journalism, has written a memorial to the woman he loved and lost: a thoroughly shattering book.
andererseits is a collaborative project undertaken by students and faculties of universities in the USA (Duke and the University of Notre Dame), in Luxembourg (University of Luxembourg), and in Germany (University of Duisburg-Essen). It provides a forum for research and reflection on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, as well as traditional peer-reviewed academic articles. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This edition features contributions by Carsten Dutt, Klaus Modick, Tanja Nusser, Thomas Pfau, Margarethe von Trotta, and others.
Journalist Tom Kummer presents the inside story of actress Sharon Stone--a woman known to be as stubborn in standing up for her beliefs as she is dedicated, hardworking, and generous. 46 photos, 36 in color.
Voilà désormais plus de 10 000 ans que la civilisation occidentale s'est installée et voilà 10 000 ans qu'elle viole le sens même de la nature : la vie. En s'appropriant sans concession ce qui l'entourait, l'homme de l'Ouest a vu son horizon ployer sous la charge de la destruction qu'il lui avait lui-même réalisée. Sommes-nous des lycanthropes ou des vampires? Ces monstres si terrifiants qui sortent de notre imagination sont-ils en réalité la copie de notre comportement dévastateur? Prédateurs, nous pompons sans remords les énergies qui nous entourent. Jusqu'où ira-t-on?.
After over half a century of secrecy, a Swiss bank safe was opened, it contained the long-lost research notes of Josef Mengele, as well as those of his chief assistant in Auschwitz. They had been deposited there by the assistant who himself had been a Jewish doctor. Sent to Auschwitz, he was forced to participate in Josef Mengeles gruesome human experiments. Following the war, he completely disappeared, assuming a new identity and shrouding himself in silence. He did write his story down, but ordered the documents to be sealed away until decades after his death. With the release date drawing closer, his granddaughter, a well-connected Vatican doctor, wanted to have the documents examined b...
Introduction -- The meanings of censorship -- The origins and evolution of media freedom in Switzerland -- Media and democracy today -- International obligations and the freedom of the media in Switzerland -- National standards -- The secretiveness of the military -- Media organisations and journalists' associations -- Education and training in journalism -- Print media -- Radio and television -- The Internet: progressing by fits and starts -- The power of advertising -- Playing with the truth -- Self-censorship and blind obedience -- The failure of media journalism -- Conclusion.
Nora Berning grasps the narrative potential of journalistic reportages via a set of narratological categories. Spurred by an interdisciplinary framework, she builds on transgeneric narratological research and shows that journalistic reportages can be described, analyzed, and charted with categories that originate in structuralist narratology. The author spells out minimal criteria for particular types of reportages, and challenges the argument that journalism and literature have distinct, non-overlapping communicative goals. By showing that the reportage is a hybrid text type that seeks to inform, educate, and entertain, this study advances a re-conceptualization of journalism and literature as two fields with permeable borders.
Das Interview ist – medienübergreifend – eines der erfolgreichsten journalistischen Genres. Es etabliert sich bis zum Ende des 19. Jahrhunderts in der Zeitung, um gelegentlich in Buchform zu überdauern. Im 20. Jahrhundert wird es zu einem wesentlichen Bestandteil von Hörfunk und Fernsehen und im 21. Jahrhundert sucht es seinen Platz im Internet. Umso erstaunlicher ist es, dass eine systematische Erforschung der Geschichte und Funktion des Genres bislang aussteht. Vor diesem Hintergrund vermisst Jens Ruchatz das breite Feld des journalistischen Interviews und entwirft dessen Gattungsgeschichte als Mediengeschichte. Als Konstante dieser 150-jährigen Geschichte erweist sich das generisc...
What are the current problems, pressures and opportunities facing journalists in advanced democratic societies? Has there been a 'dumbing down' of the news agenda? How can serious political, economic and social news be made interesting to young people? This book explores the current challenges faced by those working in the news media, focusing especially on the responsibilities of journalism in the advanced democracies. The authors comprise experienced journalists and academics from the UK and the other countries investigated. In the opening section they investigate the key issues facing twenty-first century journalism; while in section two they offer in-depth studies of the UK news media, d...