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The Art of Excess
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Novel Arguments
Novel arguments argues that innovative fiction - by which is meant writing that has been variously labeled postmodern, metafictional, experimental - extends our ways of thinking about the world, and rejects the critical consensus that, under the rubrics of postmodernism and metafiction, homogenizes this fiction as autonomous and self-absorbed. Play, self-consciousness, and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The book advances a concept of the "argument" of fiction as a construct wedding structure and content into a highly evolved and expressive experimental form. Close readings of five important innovative novels by Donald Barthelme, Ishmael Reed, Robert Coover, Walter Abish, and Kathy Acker show how they articulate matters of substance, social engagement, and ideological currency by virtue of the act of innovation. Walsh deftly argues for a new understanding of fictional cognition at the theoretical level, and, in an act of great critical creativity, discards altogether the flattening totalities of received postmodern formulations.
In the Loop
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Passing Off
Michael Keever, former Celtic teammate of Larry Bird’s, changes his name and passes himself off as Greek-American to play in the Greek Basketball Association. When Michael appears on Greek TV in a public service spot against pollution, a viewer suspects that his ethnic background would not qualify him to play in Greece.
Well-founded Fear
A fascinating case study of the legislative process and the author's experiences as a public interest lobbyist, Schrag tells how a coalition of human rights and refugee groups fought to preserve the rights of refugees and asylum seekers.
Orthokostá
"First published in 1994 to a storm of controversy, Thanassis Valtinos's probing novel Orthokostá contested standard interpretations of the Greek Civil War. Through the documentary-style testimonies of multiple narrators, among them the previously unheard voices of right-wing collaborationists, Valtinos provides a powerful, nuanced interpretation of events during the later years of the Nazi Occupation and the early stages of the nation's Civil War. His fictionalized chronicle gives participants, victims, and innocent bystanders equal opportunity to bear witness to such events as the burning of Valtinos's home village, the detention and execution of combatants and civilians in the monastery of Orthokostá, and the revenge killings that ensued. As a transforming work of literature, this book redefined established methods of fiction; as a novel based on actual history, it changed the way Greeks understand their own past."--Dust jacket.
Passing Away
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Anything Can Happen
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Conversations with Toni Morrison
Collected interviews with the Nobel Prize winner in which she describes herself as an African American writer and that show her to be an artist whose creativity is intimately linked with her African American experience
Narrative and Culture
Narrative and Culture draws together fourteen essays in which leading scholars discuss narrative texts and practices in a variety of media and genres, subjecting them to sustained cultural analysis. The essays cross national borders and historical periods as often and as easily as they traverse disciplinary boundaries, and they examine canonical fiction as well as postmodern media—photography, film, television. The primary subject of these pieces, notes Janice Carlisle, is “the relation between the telling of tales and the engagement of their tellers and listeners in the practices of specific societies.” Contributors: Nina Auerbach, Thomas B. Byers, Jay Clayton, Marcel Cornis-Pope, Mary Lou Emery, Colleen Kennedy, Vera Mark, Caroline McCracken-Flesher, Paul Morrison, Ingeborg Majer O'Sickey, John Carlos Rowe, Daniel R. Schwarz, Carol Siegel, Felipe Smith
