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British playwright Tom Stoppard in his own words
The key book for all time on Tom Stoppard: the biography of our greatest living playwright, by one of the leading literary biographers in the English-speaking world, a star in her own right, Hermione Lee.With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee builds a metiucously researched portrait of one of our greatest playwrights.Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he's ever lived in, every piece of writing he's ever done, and every play and film he's ever worked on; but in the end this is the story of a complex, elusive and private man, which tells you an enormous amount about him but leaves you, also, with the fascinating mystery of his ultimate unknowability.
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • One of our most brilliant biographers takes on one of our greatest living playwrights, drawing on a wealth of new materials and on many conversations with him. “An extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.” —Harper's Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philos...
"This is a Borzoi book published by Alfred A. Knopf."
Companion to the work of playwright Tom Stoppard who also co-authored screenplay of Shakespeare in Love.
Centres of levity - Anxious stylists - Playing our absence - Logics of the absurd - Ethics and the moon - The prism of travesty - Language, lunacy and light.
Definitive study of the plays by Tom Stoppard based on interviews with Mr. Stoppard and a close reading of his plays.
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In Tom Stoppard’s Plays: Patterns of Plenitude and Parsimony Nigel Purse assesses the complete canon of Tom Stoppard’s works on a thematic basis. He explains that, amongst the plenitude of chaotic comedy, wordplay and intellectual ping-pong of Stoppard’s plays, the principle of parsimony that is Occam’s razor lies at the heart of his works. He identifies key patterns in theme – ethics and duality - and method – Stoppard’s stage debates and his dramatic vehicles - as well as in theatrical devices. Quoting extensively from all Stoppard’s published works, many of his interviews and also unpublished material Nigel Purse arrives at a comprehensive and unique appraisal of Stoppard’s plays.
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