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Tomahawk (large print)
  • Language: en
  • Pages: 239

Tomahawk (large print)

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

None

Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 858

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
  • -
  • Published: 2001
  • -
  • Publisher: Unknown

None

Tomahawk
  • Language: en
  • Pages: 239

Tomahawk

  • Type: Book
  • -
  • Published: 1958
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  • Publisher: Unknown

None

The Turn to Gruesomeness in American Horror Films, 1931-1936
  • Language: en
  • Pages: 241

The Turn to Gruesomeness in American Horror Films, 1931-1936

  • Type: Book
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  • Published: 2016-09-13
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  • Publisher: McFarland

Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.

Ray Milland
  • Language: en
  • Pages: 338

Ray Milland

  • Type: Book
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  • Published: 2020-02-07
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  • Publisher: McFarland

With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1945), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits.

Publishers, Distributors & Wholesalers of the United States
  • Language: en
  • Pages: 2040

Publishers, Distributors & Wholesalers of the United States

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Engineering News
  • Language: en
  • Pages: 646

Engineering News

  • Type: Book
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  • Published: 1890
  • -
  • Publisher: Unknown

None

Tomahawk
  • Language: en
  • Pages: 454

Tomahawk

Volume 6.

Publishers' International ISBN Directory
  • Language: en
  • Pages: 1344

Publishers' International ISBN Directory

  • Type: Book
  • -
  • Published: 2000
  • -
  • Publisher: Unknown

None

The New Georgia Guide
  • Language: en
  • Pages: 820

The New Georgia Guide

The Georgia Humanities Council presents a guidebook with cultural, historical, and regional coverage of Georgia