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Bēarla-Gaeilge
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The Dialects of Irish
The book offers a comprehensive overview of forms of modern Irish within a general linguistic framework. Starting with information on the sociolinguistics of modern Irish and on the overall sound system of the language, it then proceeds with a tripartite division of the present-day language into northern, western and southern Irish. It gives specific information on the features of each dialect and considers many sub-divisions, using maps and tables to illustrate clearly what is the subject of discussion. There are several innovations in the book, such as a system of lexical sets which facilitate the description and analysis of variation and change in modern Irish. The data for the book stems...
Colour Terminology in Modern Irish
This work looks at basic colour terms in Modern Irish by presenting the historical development of these terms since their earliest attestation and in comparison with the other Gaelic languages, namely, Scottish Gaelic and Manx. These terms are analysed based on lexicographical and didactic material, as well as their use in placenames and proverbs, resources with great potential but which have been underused in colour terminology research in general. Its conclusion is the presentation of fieldwork results with native speakers from all major Irish dialects based on their responses to the colours of items in pictures, research which has never been previously conducted, to see whether their use of colour terminology matches that as presented, and to comment on the current state of Irish basic colour terminology.
Dictionnaires
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Tomás de Bhaldraithe
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Encyclopedia of Language and Linguistics
The first edition of ELL (1993, Ron Asher, Editor) was hailed as "the field's standard reference work for a generation". Now the all-new second edition matches ELL's comprehensiveness and high quality, expanded for a new generation, while being the first encyclopedia to really exploit the multimedia potential of linguistics. * The most authoritative, up-to-date, comprehensive, and international reference source in its field * An entirely new work, with new editors, new authors, new topics and newly commissioned articles with a handful of classic articles * The first Encyclopedia to exploit the multimedia potential of linguistics through the online edition * Ground-breaking and International ...
Our Own Language
This book considers the growth of the Irish language in Belfast today. The reader is invited to take a close look at a unique vibrant speech community in Belfast. During the 1960's its members took a courageous step, when they determined to create an environment wherin they could raise their children as Irish speakers. The success of the initiative is most clearly evidenced by steady diffusion of bilingualism throughout surrounding neighbourhoods.
The Prose Literature of the Gaelic Revival, 1881–1921
The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted by those who believed in the centrality of the Irish language to the emergent Irish state. This book attempts to remedy that deficiency and to present the lively debates within the language movement in their full complexity, citing documents such as editorials, columns, speeches, letters, and literary works that were influential at the time but all too often were published only in Irish or were difficult to access. Cautiously employing the terms...
Graveyard Clay
In an Irish graveyard, the corpses are distracted by local jealousies and petty disputes assuming global importance. Their banter is full of news of above-ground happenings, received from the recently arrived. As we listen in on the gossip, rumors, backbiting, complaining, and obsessing of the local community, we learn that in the afterlife the same old life goes on beneath the sod.--
Breaking Forms
Ireland in the 1990s experienced fast, immediate, and radical social change. Dubbed the “Celtic Tiger,” the Irish economy provided for changes in the arts landscape as well, particularly as an outlet for the expression of this change. A profound shift in Irish drama, expressed as an attempt to redefine what a play is, what an audience is – regardless of the theme of the work – allowed for a replication of this societal change in the theatre. Theatre artists collaborating to bring physicality to the Irish stage sought to explore, express, and reflect a part of society that they felt could not be represented naturalistically. They rejected nostalgia and indeed often mocked it. The newl...
