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There is scant research on the art produced under the Congregation of the Oratory of Saint Philip Neri, with the exception of a couple of general books focused primarily on major Oratorian art pieces. Therefore, this book of essays aims to discuss the art and culture produced by or associated with the Oratorians by providing a broad overview focused especially on rarely investigated issues. The authors focus on this very important artistic production, commonly forgotten when compared with other religious productions of art, by covering geographical areas spanning from Sri Lanka to Mexico, including Italy, Spain, the United Kingdom, India and Brazil.
The early modern period is a particularly fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history.
Between the twelfth and the sixteenth centuries, women assumed public roles of unprecedented prominence in Italian religious culture. Legally subordinated, politically excluded, socially limited, and ideologically disdained, women's active participation in religious life offered them access to power in all its forms. These essays explore the involvement of women in religious life throughout northern and central Italy and trace the evolution of communities of pious women as they tried to achieve their devotional goals despite the strictures of the ecclesiastical hierarchy. The contributors examine relations between holy women, their devout followers, and society at large. Including contributions from leading figures in a new generation of Italian historians of religion, this book shows how women were able to carve out broad areas of influence by carefully exploiting the institutional church and by astutely manipulating religious percepts.
Reading innumerable treatises on demonology written during the Renaissance, including Thesaurus exorcismorum, the most important record of early modern exorcisms, Maggi finds repeated attempts to define the language exchanged between the fallen progeny of Adam, and the most notorious fallen angel of them all, Satan. Using points of departure taken from de Certeau and Lacan, Maggi shows that Satan articulates his language first and foremost in the mind. More than speaking, the devil tries to make human beings understand his language and speak it themselves.
Imprisoned in the Tower of London after the death of Queen Elizabeth in 1603, Sir Walter Ralegh spent seven years producing his massive History of the World. Created with the aid of a library of more than five hundred books that he was allowed to keep in his quarters, this incredible work of English vernacular would become a best seller, with nearly twenty editions, abridgments, and continuations issued in the years that followed. Nicholas Popper uses Ralegh’s History as a touchstone in this lively exploration of the culture of history writing and historical thinking in the late Renaissance. From Popper we learn why early modern Europeans ascribed heightened value to the study of the past ...
When Bartolomeo Sacchi ('Platina', 1421-1481) wrote his Vitae pontificum (Lives of the Popes) and presented it to Pope Sixtus IV in 1475, he surely could not have imagined how influential it would become over the centuries. His was the first papal history composed as a humanist Latin narrative and, as such, marked a distinct breakthrough in relation to the Liber pontificalis, the standard medieval chronicle of the papacy. Whatever Platina's intentions for the book, it soon came to be regarded as the official history of the Roman pontiffs. After the editio princeps of Venice 1479, updated and extended editions continued to be produced until late in the eighteenth century. The largely untold s...
The first full modern English version of Del Río’s treatise, unrivalled in its breadth, detail, and scholarship, on the occult sciences as they were understood, experienced, and combatted at the end of the sixteenth century.
Stefania Tutino shows that post-Reformation Catholic culture was a rich laboratory for our current moral and hermeneutical anxieties.
This text provides a comprehensive and reliable introduction to Christian theological literature originating in Western Europe from, roughly, the end of the French Wars of Religion (1598) to the Congress of Vienna (1815). Using a variety of approaches, the contributors examine theology spanning from Bossuet to Jonathan Edwards.