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The Invention of Dolores Del Rio
Dolores del Rio challenged Hollywood's - and the public's - prevailing views on race and gender from the 1920s through the 1960s. Her roles, costumes, and makeup, along with the advertising, publicity, and reviews of her films, reveal the influence of her ethnicity and her construction as an exotic commodity: her sexual image ran counter to the dominant social standards for femininity and against miscegenation, but her exoticism - and the promotion of it - contributed to her renown as one of Hollywood's most enduring stars.
The Age of Gold
Surrealist cinema, as epitomised by Un Chien Andalou and L'Age D'Or, was a knife through the very heart of the establishment - a scorpionic, scatological black joke galvanised by the irrational, the uncanny and the spectre of de Sade. Author Robert Short revisits these two seminal films and documents the experimental cinematic theories of Antonin Artaud and the filming of his Surrealist scenario The Seashell and the Clergyman. Short also looks at the work of Hans Richter, Jean Cocteau, Marcel Duchamp and Man Ray.
Love and Despair
Love and Despair explores the multiple and mostly unknown ways progressive and conservative Catholic actors, such as priests, lay activists, journalists, intellectuals, and filmmakers, responded to the significant social and cultural shifts that formed competing notions of modernity in Cold War Mexico. Jaime M. Pensado demonstrates how the Catholic Church as a heterogeneous institution--with key transnational networks in Latin America and Western Europe--was invested in youth activism, state repression, and the counterculture from the postwar period to the more radical Sixties. Similar to their secular counterparts, progressive Catholics often saw themselves as revolutionary actors and nearly always framed their activism as an act of love. When their movements were repressed and their ideas were co-opted, marginalized, and commercialized at the end of the Sixties, the liberating hope of love often turned into a sense of despair.
Out of Darkness
A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This...
Dirty War, Clean Hands
The investigations continue and Garzon is still attempting to establish the full extent of the relationship between the former Spanish Government and the GAL's death squads."--Jacket.
Latin American Films, 1932-1994
In 1931 Antonio Moreno completed Santa, Mexico's first true sound film. In it he established one of the foremost genres of Latin American cinema--the popular melodrama--which continues to this day. Latin American filmmakers came to the fore in the fifties and sixties and, as 1992's Como agua para chocolate (Like Water for Chocolate) showed, Latin American films continue to be a major part of the international film scene. In this work over 300 of the most significant films from Argentina, Brazil, Cuba, Mexico, Bolivia, Colombia, Ecuador, Peru and other Latin American countries are covered. Each entry includes the English title, director, year of release, running time, language, country and a detailed plot synopsis. Notes about the production and the filmmakers are also provided for many entries.
Index Medicus
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
Objects of Desire
From 1975 to 1977, Bunuel agreed to undertake a film-by-film examination of his life and work through a series of interviews conducted with two old friends. This is revised and edited by the author himself just before his death.
El cost humà de la repressió al País Valencià (1936-1956) (2a edició)
1936-1956. Vint anys i milers de víctimes, que amb la seua desaparició van causar dolor en uns familiars que continuaran patint durant anys les conseqüencies de la repressió; una repressió sobre persones que són acusades de pensar diferent de com ho feien els seus botxins, de creure diferent de com ho feien els seus denunciants, de defensar unes idees, una forma de vida, de treball, diferent de la dels seus contraris. El cost humà de la repressió. Les víctimes de la repressió franquista i republicana s' afegeixen a les morts produïdes en els fronts de guerra o pels bombardejos sobre les ciutats de rereguarda d'una incivil guerra civil. No es tracta d'igualar dues repressions, pero...
