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Samizdat Past and Present
This anthology of texts by Czech literary scientists presents the phenomenon of the samizdat and its historical transformation. The chapters primarily focus on the definition of the samizdat itself as well as the extensive controversy over the concept of unofficial literature. The scholars also pay attention to the origin, development and characteristics of the various samizdat editions; individual chapters are devoted to underground production and censorship. One chapter deals with the relationship between domestic samizdat production and exile literature. In the final chapters of the publication, samizdat is covered also in the international context, in particular in the Polish and Russian contexts. This book, Samizdat Past and Present, is a representative publication presenting the diverse forms of samizdat and has the potential to become a basic guide on the issue.
Performance - Cinema - Sound
This volume makes visible the cooperation between the Visegrad Fund and Humboldt University of Berlin. With selections exploring the fields of performance, cinema, and sound, it incorporates ideas from performance theory, film and media studies, art history, philosophy, and literary theory. On the other hand it is the permeability of the media to each other—as well as to other expressive forms such as theatre and happenings, film and photography, voice and writing—that takes center stage. Fifteen essays delve into questions of performativity with concrete examples from Central and Eastern Europe: e.g. Czech, Hungarian, Russian, Slovak, and Soviet cinema; the Polish Academy of Movement, Tot Art, and Orange Alternative; the Hungarian performer Tamás Szentjóby and post-Fluxus phenomena; Polish "hobo poets" like Marcin Świetlicki; works of the French Jean Fautrier, the Czech Mikuláš Medek, and the Slovak Dominik Tatarka on sound and voice; Belarusian and Polish "sung poetry" as intermedial subversion of tradition, and the textual performance of Dezső Kosztolányi’s disappeared voice.
The Oxford Handbook of Soviet Underground Culture
The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts.
Writing Underground
Výbor ze studií literárního historika a editora Martina Machovce, které vznikaly v posledních dvou dekádách (2000–2018), představuje celou řadu faset uvažování o fenoménu undergroundu. V jednotlivých studiích se zabývá zejména undergroundovou literaturou z okruhu I. M. Jirouse a rockové skupiny The Plastic People of the Universe, ale věnuje pozornost i širším souvislostem této literatury – jejím předchůdcům z 50. let (okruh Egona Bondyho a Ivo Vodseďálka), roli ve společenství Charty 77, vazbám na angloamerické prostředí nebo hudebním a scénickým realizacím a způsobu, jakým byly tyto texty v samizdatu šířeny. In this collection of writings pr...
Dialogues
This exhibition catalog brings together key works by Russian conceptualists Ilya Kabakov and Viktor Pivovarov, whose art depicted the absurdities of everyday life in the Soviet era. It not only includes nearly 100 pages of full-color illustrations, but also provides complete English translations of the texts that appear in the volume, plus new interviews with each artist. Published in partnership with the Zimmerli Museum.
Dissident Legacies of Samizdat Social Media Activism
This book tells the story of the dissident imaginary of samizdat activists, the political culture they created, and the pivotal role that culture had in sustaining the resilience of the oppositional movement in Poland between 1976 and 1990. This unlicensed print culture has been seen as one of the most emblematic social worlds of dissent. Since the Cold War, the audacity of harnessing obsolete print technology known as samizdat to break the modern monopoly of information of the party-state has fascinated many, yet this book looks beyond the Cold War frame to reappraise its historical novelty and significance. What made that culture resilient and rewarding, this book argues, was the correspon...
A Philosophy of Cultural Scenes in Art and Popular Culture
This book seeks to understand culture through the lens of scenes, analyzing them aesthetically and culturally as well as understanding them through the frameworks of gender, social networks, and artworlds. It is common to talk about the cultural and intellectual scenes of early twentieth-century Vienna, the visual art scene of postwar New York, and the music and fashion scene of the swinging London. We often think about artists and works of art as essentially belonging to a certain scene. Scenes might offer a new approach to study what is possible, what is a tradition, and/or to discuss what are the relevant units of contemporary culture for research. The book posits that scenes explain a lot about how the artworld and the cultural field function. Vivienne Westwood, Rene Magritte, Roman Jakobson, Arthur C. Danto, Susan Sontag, James Baldwin, and Didier Eribon are among the figures included in the book, which examines scenes in cities such as Moscow, Bombay, New York, London, Paris, Brussels, Helsinki, and Bratislava. The book will be of interest to scholars working in art history, cultural studies, philosophy, film, literature, and urban studies.
Theoretical Schools and Circles in the Twentieth-Century Humanities
Schools and circles have been a major force in twentieth-century intellectual movements. They fostered circulation of ideas within and between disciplines, thus altering the shape of intellectual inquiry. This volume offers a new perspective on theoretical schools in the humanities, both as generators of conceptual knowledge and as cultural phenomena. The structuralist, semiotic, phenomenological, and hermeneutical schools and circles have had a deep impact on various disciplines ranging from literary studies to philosophy, historiography, and sociology. The volume focuses on a set of loosely interrelated groups, with a strong literary, linguistic, and semiotic component, but extends to the ...
The Soviet Invasion of Czechoslovakia in 1968
The edited collection is the first attempt to take a more coherent look at the Russian perception of the Prague Spring and the Warsaw Pact occupation of Czechoslovakia in August 1968. The publication is therefore a collection of interviews, memoirs and academic studies focusing on Russian soldiers, dissidents and journalists involved in and affected by the Soviet invasion. The book begins with a focus on the Soviet soldiers who came to Czechoslovakia. It depicts their inner world and the mighty machinery of the Soviet propaganda to which they were exposed. The Archive supplement offers a fresh look at the role of KGB and the Soviet embassy in the Czechoslovak events of August 1968 by Russian...
Theatre Theory Reader: Prague School Writings
This is precisely the book I have been looking out for ever since working at my Das Drama. Theorie und Analyse (1977; The Theory and Analysis of Drama, 1988), and discovering from a few specimens the incisive usefulness and importance of Prague School theatre semiotics. There is everything one could possibly wish for in this monumental Theatre Theory Reader: Prague School Writings: all the by now canonical texts and many others presented for the first time in English, arranged in a systematic order which fully renders the sense of the scope and development of Czech theatre semiotics, and all of them in highly competent translations aware of the terminological complexities at stake and suppor...
