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The first reports seemed absurd. A Russian dissident, formerly an employee of the KGB and its successor, the FSB, had seemingly been poisoned in a London hotel. As Alexander Litvinenko's condition worsened, however, and he was transferred to hospital and placed under armed guard, the story took a sinister turn. On 23 November 2006, Litvinenko died, apparently from polonium-210 radiation poisoning. He himself, in a dramatic statement from his deathbed, accused his former employers at the Kremlin of being responsible for his murder. Who was Alexander Litvinenko? What had happened in Russia since the end of the Cold War to make his life there untenable, and even in severe jeopardy in Britain? How did he really die, and who killed him? In his spokesman and close friend, Alex Goldfarb, and widow Marina, we have two people who know more than anyone about the real Sasha Litvinenko, and about his murder. Their riveting book sheds astonishing light not just on these strange and troubling events but also on the biggest crisis in relations with Russia since the fall of the Berlin Wall.
This volume contains by far the most complete reports available in English concerning two major terrorist incidents in Russia: the October 2002 seizure of a Moscow theater at Dubrovka and the September 2004 taking of a large school in Beslan in southern Russia. The issues examined are as follows:- the backgrounds of the Muslim extremists who carried out these acts including the de facto leaders of the terrorist assaults, ethnic Chechen Ruslan Elmurzaev and Ingush Ruslan Khuchbarov;- the failure of Russian law-enforcement to prevent these two incidents, documenting both the massive corruption of the Russian security services and police and the absence of the rule of law;- the storming of the ...
Transcripts of tapes made in an Italian sanatorium reveal Peter Gordon's obsession with making a successful motion-picture comeback
Caleb Powell always wanted to become an artist, but he overcommitted to life; his former professor David Shields always wanted to become a human being, but he overcommitted to art. The stay-at-home dad (three young girls) and the workaholic writer (eighteen books) head to the woods to spend four days together in a cabin, arguing life vs. art. I Think You’re Totally Wrong is an impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate. Shields and Powell talk about everything—marriage, family, sports, sex, happiness, drugs, death, betrayal, and (of course) writers and writing—in the name of exploring and debating their central question: the lived life versus the examined life. There are no teachers or students here, no interviewers or interviewees, no masters of the universe—only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish. James Franco’s film adaptation of I Think You’re Totally Wrong, starring the authors, premiered in 2015.