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H, V., & O
'The dead travel fast and, in our contemporary globalised world, so too does the gothic.' Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simultaneously a continuation of the western tradition and a wholesale transformation of that tradition which expands the horizons of the gothic in diverse new and exciting ways.Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels. This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.
V
Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. Channel Four's film of v. prompted extreme political and media reaction documented in the book's second edition (1989).
Tony Harrison Plays 1
This first collection of Tony Harrison's poetry for the stage is made up of his masterly adaptations of the medieval cycle of The Mystery Plays.Includes The Nativity , The Passion and Doomsday , with an Introduction by Tony Harrison which places these Northern classics both in the context of the original cycle of plays and of Tony Harrison's own poetry.
Tony Harrison and the Classics
This volume presents fifteen chapters focusing on different aspects of the work of Tony Harrison, showing how his adaptations and translations explored themes of language, class, access to art, and the causes and effects of war.
Tony Harrison
Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems.
Tony Harrison
This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Hall's longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides' Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his inte...
Collected Film Poetry
; "The Shadow of Hiroshima"; "Prometheus"; "Metamorpheus"; "Crossings".
Tony Harrison
Tony Harrison is one of the most popular and respected poets and verse writers for the stage working in Britain today. In his lucid critical study Joe Kelleher brings Harrison's diverse output together under coherent themes, from his early published verse The Loiners (1970), to his accomplished translation and adaptation of The Oresteia (1981), through to his recent work for stage and television including The Shadow of Hiroshima (1995). He pays particular critical and theoretical attention to the issues of autobiography, translation, testimony and remembrance, and to poetry's obligation to face up - publicly - to the 'worst things' of twentieth-century history. Joe Kelleher's book considers Harrison's work as that of a dramatic poet, in the widest sense, staging personal utterance upon the landscape of public concerns.
Plays Four
This fourth collection of Tony Harrison's poetry for stage contains his highly acclaimed translations of Aeschylus, Aristophanes and Euripides. Included are the plays The Oresteia, and The Common Chorus (Parts I and II). This volume contains introductions, written by Tony Harrison, to each of the plays.
Collected Poems
Tony Harrison published his first pamphlet of poems in 1964 and for over fifty years has been a prominent force in modern poetry. His poetic range is truly far-reaching, from the intimate tenderness of family life and personal love, to war poems written from Bosnia and savage public outcries against politicians. In The Collected Poems, Harrison draws deeply both on classical tradition and on the vernacular of the street. Combining the private and the public in a way Harrison has made distinctly his own, and drawing on his working-class upbringing in Leeds, these are powerful poems for modern times. This is the first complete paperback collection of one of Britain's most controversial and critically acclaimed poets. 'Tony Harrison is the greatest poet of the second half of the 20th century. . . He writes brilliantly about class, love and Britain' Daniel Radcliffe 'Harrison is a masterly technician, and the most fiery and indelible English poet of the age. This book is a vineyard on a volcano' Paul Farley
