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'The dead travel fast and, in our contemporary globalised world, so too does the gothic.' Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simultaneously a continuation of the western tradition and a wholesale transformation of that tradition which expands the horizons of the gothic in diverse new and exciting ways.Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels. This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.
Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems.
This first collection of Tony Harrison's poetry for the stage is made up of his masterly adaptations of the medieval cycle of The Mystery Plays.Includes The Nativity , The Passion and Doomsday , with an Introduction by Tony Harrison which places these Northern classics both in the context of the original cycle of plays and of Tony Harrison's own poetry.
Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. Channel Four's film of v. prompted extreme political and media reaction documented in the book's second edition (1989).
Tony Harrison: Loiner is published to celebrate the poet and playwright Tony Harrison's sixtieth birthday through an exploration of his work, including his best-known poem v.. Harrison (1937- ) has been called `our best English poet', and has been awarded a number of prizes for his poetry, including the Geoffrey Faber Memorial Prize, the Royal Television Society Award, the Prix Italia, and the Whitbread Prize for Poetry. This book gives his work the serious critical attention it merits, with essays from a number of prominent contributors, including Richard Eyre and Melvyn Bragg, and a foreword by Grey Gowrie. The collection ranges from personal recollections of working with Tony Harrison and...
A revised edition of Tony Harrison's award-winning Selected Poems This indispensable new selection of Tony Harrison's poems includes over sixty poems from his famous sonnet sequence The School of Eloquence and the remarkable long poem 'v.', a meditation in a vandalized Leeds graveyard which caused enormous controversy when it was broadcast on Channel 4 in 1987 and is now regarded as one of the key poems of the late twentieth century. This substantially revised and updated edition now also features a generous selection of Harrison's most recent work, including the acclaimed poems he wrote for the Guardian on the Gulf War and then from the front line in the Bosnian War which won him the Wilfre...
This fourth collection of Tony Harrison's poetry for stage contains his highly acclaimed translations of Aeschylus, Aristophanes and Euripides. Included are the plays The Oresteia, and The Common Chorus (Parts I and II). This volume contains introductions, written by Tony Harrison, to each of the plays.
Tony Harrison and the Classics comprises fifteen chapters examining the lasting importance of Tony Harrison's classical education, the extent of the influence of Greek and Roman texts on his subjects, themes, and styles, his contribution to knowledge and understanding of classical literature, his popularization of classical works, and his innovative treatment of classical drama in plays which have been performed globally. Harrison's work fosters debates about the role and perception of the classics and adaptations of classical literature in relation to education, 'high' and 'popular' culture, accessibility, and reception. A unifying theme of the collection is the way in which Harrison finds in classical literature fruitful matter for the articulation and dramatization of his longstanding preoccupations: language, class, access to art, and the causes and effects of war. Through his adaptations and translations, Harrison uses classical drama to stage interventions in modern politics, but neither idealizes nor romanticizes the ancient world, depicting inequality, bigotry, greed, and brutality.
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A favourite for Poet Laureate, Tony Harrison effectively scuppered his chances when he published the title poem of this collection in the Guardian. This book has a section of similar republican poems including The Abdication of King Charles III as well as a short sequence on the Bosnian War.