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Priest Turned Therapist Treats Fear of God
“Hoagland’s verse is consistently, and crucially, bloodied by a sense of menace and by straight talk.” —The New York Times My heroes are the ones who don’t say much. They don’t hug people they just met. They don’t play louder when confused. They use plain language even when they listen. Wisdom doesn’t come to every Californian. Chances are I too will die with difficulty in the dark. If you want to see a lost civilizaton, why not look in the mirror? If you want to talk about love, why not begin with those marigolds you forgot to water? —from “Real Estate” Tony Hoagland’s poems interrogate human nature and contemporary culture with an intimate and wild urgency, located somewhere between outrage, stand-up comedy, and grief. His new poems are no less observant of the human and the worldly, no less skeptical, and no less amusing, but they have drifted toward the greater depths of open emotion. Over six collections, Hoagland’s poetry has gotten bigger, more tender, and more encompassing. The poems in Priest Turned Therapist Treats Fear of God turn his clear-eyed vision toward the hidden spaces—and spaciousness—in the human predicament.
Sweet Ruin
Tony Hoagland captures the recognizably American landscape of a man of his generation: sex, friendship, rock and roll, cars, high optimism, and disillusion. With what Robert Pinsky has called “the saving vulgarity of American poetry,” Hoagland’s small biographies of destruction reveal that defeat is a natural prelude to grace and loss a kind of threshold to freedom. “A remarkable book. Without any rhetorical straining, with a disarming witty directness, these poems manage to transform every subject they touch, from love to politics, reaching out from the local and the personal to place the largest issues in the context of feeling. It’s hard to think of a recent book that succeeds w...
What Narcissism Means to Me
Tony Hoagland's zany poems poke and provoke at the same time as they entertain and delight.
The Art of Voice: Poetic Principles and Practice
An award-winning poet, teacher, and “champion of poetry” (New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning—but above all, alive. The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix contains thirty stimulating models and exercises that will help poets cultivate their craft. Mining his personal experience as a poet and analyzing a wide range of examples from Catullus to Marie Howe, Hoagland provides a lively introduction to contemporary poetry and an invaluable guide for any practicing writer.
Donkey Gospel
Winner of the 1997 James Laughlin Award of The Academy of American Poets In Donkey Gospel, his second collection of poems, Hoagland's generous effervescence and a jujitsu cleverness sparkle through line after line confronting negotiation and compromise, gender and culture, sex and rock music, sons and lovers, truth and beauty, and so forth. From the boy who speaks only in "Kung Fu" dialogue to the guy who visits a lesbian bar and sees his mother, this often funny and always thoughtful book of poems offers fresh, surprisingly frank meditations on the credentials for contemporary manhood.
Hard Rain
New poetry from award-winning poet Tony Hoagland.
Unincorporated Persons in the Late Honda Dynasty
The new poetry collection by Tony Hoagland, the award-winning author of What Narcissim Means To Me and Donkey Gospel In Unincorporated Persons in the Late Honda Dynasty, Tony Hoagland is deep inside a republic that no longer offers reliable signage, in which comfort and suffering are intimately entwined, and whose citizens gasp for oxygen without knowing why. With Hoagland's trademark humor and social commentary, these poems are exhilarating for their fierce moral curiosity, their desire to name the truth, and their celebration of the resilience of human nature.
Real Sofistikashun
A controversial collection of essays on poetry, offering analyses of poetry craft with insightful essays on poets ranging from Robert Pinsky to Louise Gluck.
Application for Release from the Dream
The eagerly awaited, brilliant, and engaging new poems by Tony Hoagland, author of What Narcissism Means to Me The parade for the slain police officer goes past the bakery and the smell of fresh bread makes the mourners salivate against their will. —from "Note to Reality" Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland's fifth collection of poems, pursues these questions with the hobnailed abandon of one who needs to know how a citizen of twenty-first-century America can stay human. With whiplash nerve and tender curiosity, Hoagland both surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy.
Don't Tell Anyone (the Hollyridge Press Chapbook Series)
Once more the anthropologist of our American scene brings us his reports from the present. With a ruthless gaze, Tony Hoagland attends to all the details of modern frailty and human joy. "What is wrong with you?" he asks of "His Majesty Mr.-Boombox-In-My-Jeep" driving the beach road at 2 AM. What is wrong with all of us? these poems want to know and set off finding out. Don't Tell Anyone is a chronicle of life, love, marriage, sex and shopping as only Tony Hoagland is able to render such things. His poems speak conversationally as if your good friend is telling you a story, but there is great wit and inventiveness behind each of them. Don't tell anyone -- tell everyone about these poems.
