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Film and theatre director Tony Richardson's death in 1991, the publication of his memoirs in 1993, and the posthumous release of his final movie, Blue Sky in 1994 have resulted in the beginning of a critical reevaluation of Richardson's career. The first major reference on Richardson's life and work in British and American theatre and film, this book is a necessary first step in that reevaluation. Richardson's life and work are summarized in a brief opening biography. A chronology then outlines the major events in his career. The chapters that follow provide extensively annotated listings for all of his professional film, theatre, and television work. Entries provide plot summaries, cast and credit listings, review excerpts, and commentary. Also included is a list of awards and nominations given to Richardson and his productions. Of great significance is the annotated bibliography of books and articles by, about, or with significant references to Richardson.
Critically surveys the films of Tony Richardson, one of Britain’s most inventive directors of stage and screen.
Tony recounts the people and places he loved, the films he made, and the things that were important to him.
Tony Richardson was a key figure in British cinema of the 1950s and 1960s. Having established himself in the theatre with the first production of John Osborne's landmark play Look Back in Anger, he became a central director in the New Wave, bringing greater realism to British cinema. He went on to make some of the most significant films of the 1960s including the multi Oscar-winning Tom Jones.This detailed and authoritative account of Richardson's career provides a reassessment of his achievements. As well as looking at his best known films, it considers neglected works such as Ned Kelly and Joseph Andrews, illustrating how Richardson remained a champion of the socially marginalised.In mapping out his life and work, from the English Stage Company to his final films in America, Shail re-establishes Richardson's at the front rank of British film directors, confirming his contribution to a period of dynamic change in British culture.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.
The first comprehensive study of British and American films adapted from modern British plays.
Many British films never make it to the screen. Obstacles of finance, censorship, distribution or creative breakdown can appear in their way, and they might even fail to get beyond the script stage. This book collects new essays by leading scholars that use archival resources to reconstruct the stories behind a range of films by prominent film-makers. These thwarted productions are all too often excluded from histories of British cinema, but the accounts of their unmaking contained in Sights Unseen provides an illuminating insight into the factors which have served to undermine the stability of the film industry in Britain.
The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
Jürgen Müller's overview of the films of the 1960s has over a hundred A to Z entries that include synopses, film stills, cast and crew listings, box office figures, trivia and actor and director biographies. The book covers examples of Italian, French, German and American movies that strongly characterized the 1960s.