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A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultu...
Travel Writing and Cultural Transfer
Travel Writing and Cultural Transfer addresses the multifaceted concept of cultural transfer through travel writing, with the aim of expanding our knowledge of modes of travel in the past and present and how they developed, as did the way in which travel was reported. Travel as both factual and fictional— with authors and narratives moving between different worlds— is one of the many devices that demonstrate the fluidity of the genre. This fluidity accounts for the manifold and powerful influence of travel writing on processes of cultural transfer. This volume also illustrates that cultural transfer is frequently linked to issues of power, colonialism and politics. The various chapters investigate the transmission of other cultures, ideas and ideologies to the writer’s own cultural sphere and consider how the processes of cultural transfer interact with the forms and functions of travel writing.
Ideas in History vol.8:2
Ideas in History is the result of collaborative efforts among nearly a dozen universities and colleges throughout the Nordic countries. The purpose of these initiatives is to further awareness of research, resources, and activities in the field of intellectual history in the Nordic countries as well as internationally. The journals introduces Nordic and international readerships to some of the finest work in intellectual history by Nordic-based scholars as well as international authors. The purpose of the journal is to create a meeting ground for the study of ideas in historical context across disciplinary, geographical and institutional boundaries. Ideas in History welcomes interdisciplinary approaches to intellectual history at the same time it acknowledges specific traditions in the field. Ideas in History seeks a pluralism of methodological approaches to intellectual history: reflections on the field, historical contexts studied, subject matter for intellectual-historical investigation, critical understandings of relations between the intellectual past and present as well as the comprehension of culturally, politically and geographically diverse intellectual traditions.
Georg Brandes
Georg Brandes (1842-1927) was one of the leading literary critics in Europe of his time. His Main Currents of Nineteenth Century Literature (1872-1890) was a foundational text to the field of comparative literature and extolled by Thomas Mann as the “Bible of the young intellectual Europe at the turn of the century.” Georg Brandes eventually developed into a truly global public intellectual, living by his pen and public lectures. On the eve of World War I, he was one of the most sought-after commentators, vigorously opposing all conflicting factions. This book seeks to understand Brandes’ trajectory, to evaluate Brandes’ significance for current discussions of literary criticism and public engagement, and to introduce Brandes to an international audience. It consists of 15 original chapters commissioned from experts in the field.
Handbook of International Futurism
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentiet...
2016
Volume 6 (2016) is an open issue with an emphasis on Nordic countries (Denmark, Finland, Lithuania, Estonia, Iceland). Four essays focus on Russia, two on music; other contributions are concerned with Egypt, USA and Korea. Furthermore there are sections on Futurist archives, Futurism in caricatures and Futurism in fiction.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Angst i dansk litteratur
”Jeg har en Angst som aldrig før”, hedder det hos H.C. Andersen. For Tom Kristensen er angsten ”asiatisk i Vælde”, mens Tove Ditlevsen oplever ”Verdenshave af Angst”. I de sidste 200 år har angst været et centralt tema i dansk litteratur – helt frem til bekymringen for teknologiske og klimamæssige forandringer hos en samtidsforfatter som Jonas Eika. Romaner, noveller og digte forvandler oplevelser af angst til litterær form. Litteraturhistorien er dermed et emotionelt arkiv, der opsamler fortolkninger af angst og forandringer i angstens udtryksformer. Ved at undersøge, hvordan angsten er skildret hos forskellige forfattere på tværs af tid, får vi et dybere indblik i angstens rolle i den menneskelige tilværelse. I bogen analyserer 13 forskere repræsentationer af angst i dansk litteratur fra H.C. Andersen og Søren Kierkegaard over blandt andre det moderne gennembruds kvindelige forfattere, Henrik Pontoppidan og Inger Christensen frem til de nyeste tendenser inden for spekulativ fiktion.
A Cultural History of the Avant-Garde in the Nordic Countries Since 1975
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975.
The Book by Design
"Books have long been objects of beauty. For many centuries and in societies across the world, bookmakers have lavished great care on the paper, binding materials, and illustrations that surround the words on a page as well as on the lettering or type in which those words appear. This volume, featuring an array of beautiful books from the British Library's collection, focuses on the sensory experience of holding these objects in your hands. Each book represents a specific moment in the development of the object-from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. The books range from the seventh century to the present and include examples from China...
