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Water, Kinship, Belief
"This publication is produced on the occasion of the Toronto Biennial of Art, The Shoreline Dilemma, September 21-December 1, 2019, and What Water Knows, the Land Remembers, March 26-June 5, 2022, organized by the curatorial team of Candice Hopkins, Katie Lawson, and Tairone Bastien, with contributions from former TBA Public Programming and Learning Curators Clare Butcher and Myung-Sun Kim. Included are additional projects by 2019 guest curator Charles Stankevich and 2022 Curatorial Fellows Chiedza Pasipanodya and Sebastien De Line."--
Oceans
OCEANS attends to the inextricable human and nonhuman agencies that affect and are affected by the sea and its running currents within contemporary art and visual culture. Oceans cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, th...
The Routledge Handbook of Urban Cultural Planning
This book provides a manual for planning for arts and culture in cities, featuring chapters and case studies from Africa, the Americas, Australasia, the Middle East, South and East Asia, and more. The handbook is organized around seven themes: arts and planning for equity and social development; incorporating culture in urban planning; the intersection of creative and cultural industries and tourism planning; financing; public buildings, public space and public art; cultural heritage planning; and culture and the climate crisis. Urban planners are often tasked with preserving and attracting new art and culture to a city, but there are no common rules on how practitioners accomplish this work. This handbook will be an invaluable resource for city planners and designers, cultural workers, elected officials, artists, and social justice workers and advocates seeking to integrate creativity and culture into urban planning.
Abstract Painting in Canada
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters ...
"Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 "
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less...
凝觀．揚帆：藝術教育研究之變遷與展望．第二屆藝術教育研究國際學術研討會論文集
本書匯聚19篇精心挑選的學術論文，涵蓋三個關鍵主題，包括「新世代藝術教育之課程、教學與評量」、「當代藝術教育研究的脈絡、願景與挑戰」以及「藝術教育的跨界探究」。通過這些篇章，讀者將能夠深入瞭解藝術教育的最新發展，以及在當今多變的教育環境中所面臨的挑戰與機遇。 無論是對於從事藝術教育研究的學者、教師，或對於藝術教育議題感興趣一般大眾而言，本書都將是一份寶貴的資源。透過作者們的深度對話和交流，本書呈現了各種觀點的多樣性，更為讀者提供豐富的思想火花和啟發。從藝術教育的理論基礎到實踐應用，從課程設計到評量方法，本書呈現了全面而深入的視角，助力讀者更好地理解和應對當前藝術教育領域的重要議題。
Biennial Exhibition
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Gary Hill
"Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback." -- Gary Hill (From "Inter-view") For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Awa...
