You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This ambitious book presents a comprehensive new 'macro-monetary' interpretation of Marx’s logical method in Capital, based on substantial textual evidence, which emphasises two main points: (1) Marx’s theory is primarily a macroeconomic theory of the total surplus-value produced in the economy as a whole; and (2) Marx’s theory is a monetary theory from beginning to end and the circuit of money capital – M - C - M’ – is the logical framework of Marx’s theory. It follows from this 'macro-monetary' interpretation that, contrary to the prevailing view, there is no 'transformation problem' in Marx’s theory; i.e., Marx did not 'fail to transform the inputs of constant capital and variable capital' in his theory of prices of production in Part 2 of Volume III.
The Breakstone family arrange themselves around their daughter Heather, and the world seems to follow: beautiful, compassionate, entrancing, she is the greatest blessing in their lives of Manhattan luxury. But as Heather grows - and her empathy sharpens to a point, and her radiance attracts more and more dark interest - their perfect existence starts to fracture. Meanwhile a very different life, one raised in poverty and in violence, is beginning its own malign orbit around Heather. Matthew Weiner - the creator of Mad Men - has crafted an extraordinary first novel of incredible pull and menace. Heather, The Totality demonstrates perfectly his forensic eye for the human qualities that hold modern society together, and pull it apart.
TAR FOR MORTAR offers an in-depth exploration of one of literature's greatest tricksters, Jorge Luis Borges. His short story "The Library of Babel" is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed by pious librarians looking for divinely pre-fabricated truths. One must grapple as well with the irony of Borges's narration, which undermines at every turn its narrator's claims of the library's universality, including the very possibility of exhausting meaning through combinatory processing. Borges directed readers to his non-fiction to disc...
TOTALITY AND INFINITY -- Copyright -- TABLE OF CONTENTS -- INTRODUCTION -- PREFACE -- SECTION I THE SAME AND THE OTHER -- A. METAPHYSICS AND TRANSCENDENCE -- B. SEPARATION AND DISCOURSE -- C. TRUTH AND JUSTICE -- D. SEPARATION AND ABSOLUTENESS -- SECTION II INTERIORITY AND ECONOMY -- A. SEPARATION AS LIFE -- B. ENJOYMENT AND REPRESENTATION -- C. I AND DEPENDENCE -- D. THE DWELLING -- E. THE WORLD OF PHENOMENA AND EXPRESSION -- SECTION III EXTERIORITY AND THE FACE -- A. SENSIBILITY AND THE FACE -- B. ETHICS AND THE FACE -- C. THE ETHICAL RELATION AND TIME -- SECTION IV BEYOND THE FACE -- A. THE AMBIGUITY OF LOVE -- B. PHENOMENOLOGY OF EROS -- C. FECUNDITY -- D. THE SUBJECTIVITY IN EROS -- E. TRANSCENDENCE AND FECUNDITY -- F. FILIALITY AND FRATERNITY -- G. THE INFINITY OF TIME -- CONCLUSIONS.
The master of literary theory takes on the master of the detective novel Raymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler’s work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler’s invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical.
In this work, originally published in 1989, the author establishes a tradition of radical historicism from Hegel to the Budapenst School. He charts both its continuous evolution from the early 19th century to the late 20thh, and its transformation in the context of European social, economic and cultural change. Through a reappraisal of historical interpretation from Hegel to Foucault, the book demonstrates the contemporary relevance of radical historicism. It includes detailed analyses of Marx, Dilthey, Simmel, Weber, Lukácks, Horkheimer, Adorno and Habermas.
A critique of Kant's philosophy revealing that the relationship between his Analytic and Dialectic is more complicated than supposed (something we thought utterly impossible). Kerszberg (philosophy, Pennsylvania State U.) dives into the Kantian universe and finds the black holes of the philosophers cosmological principle, transcendental time, the doubled illusion, the reversals of reversal oscillating between givenness and nothingness to, suggests the author, the confusion of his successors Maimon, Fichte, Schelling, and Hegel with whom we sympathize. Annotation copyright by Book News, Inc., Portland, OR
Totality has been an abiding concern from the first generation of Western Marxists, most notably Lukács, Korsch, Gramsci, and Bloch, through the second, exemplified by the Frankfurt School, Lefebvre, Goldmann, Sartre, Merleau-Ponty, and Della Volpe, up to the most recent, typified by Althusser, Colletti, and Habermas. Yet no consensus has been reached concerning the term's multiple meanings—expressive, decentered, longitudinal, latitudinal, normative—or its implications for other theoretical and practical matters. By closely following the adventures of this troublesome but central concept, Marxism & Totality offers an unconventional account of the history of Western Marxism.
Exploring the sudden loss of her child, the hope that precedes this crisis, and the suffering that follows, this collection of poetry renders a shattering experience with candor and immediacy. This collection is about the eviscerating loss of a child, the hope that precedes this crisis, and the suffering that follows. Spare, plain, sometimes startling in their snatches of humor, Pollari’s poems careen into the “tilted reality” of grief. This is poetry dredged from shock and rage, then dissected with pointillistic precision. Many of the pieces are closer to prose: in plain, forceful, language that will capture readers outside the poetry audience, they uncover and name sentiments outside of what is expected in books about child loss and grief: for instance, the embarrassment Niina felt for letting herself feel hope and joy, for revealing that she desired to be a mother at all, and for having to inform the world that her desire would not be granted. A shattering experience rendered with candor and immediacy, Path of Totality is a book “for anyone who ever expected anything” about a rarely told experience of motherhood.