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Jeffrey Gibson
This generously illustrated book explores new developments in Jeffrey Gibson's recent work. Through painting, sculpture, installation, and film, Jeffrey Gibson brings together overlapping and conflicting cultures, histories, and aesthetics. Most recently he has explored notions of cultural and personal identity as they are communicated through aspects of adornment and dress. Highlighting his work from 2014 through 2018, including a series of garments and an original film that will debut as part of the accompanying exhibition at the Ruth and Elmer Wellin Museum of Art, this volume offers fresh insight into Gibson's approach, which melds the artist's Native American heritage with popular culture. Curated by Tracy L. Adler, Johnson-Pote Director of the Wellin Museum of Art, this selection of over fifty works features punching bags, paintings, beaded panels, and ceramics, among other works of art. An interview with Gibson by Adler and essays by Jane Panetta and Lowery Stokes Sims round out this beautiful book. Copublished by the Ruth and Elmer Wellin Museum of Art and DelMonico Books
Jeffrey Gibson
Through painting, sculpture, installation, and film, Jeffrey Gibson brings together overlapping and conflicting cultures, histories, and aesthetics. Most recently he has explored notions of cultural and personal identity as they are communicated through aspects of adornment and dress.
Elias Sime
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Sarah Oppenheimer: Sensitive Machine
How Oppenheimer's complex artworks break down barriers between art, audience and architecture This publication documents the four interactive artworks by New York-based artist Sarah Oppenheimer (born 1972) created for the Wellin Museum of Art at Hamilton College in the context of her greater artistic oeuvre. Printed in five color with foil stamping, with striking reproductions and contributions by Tracy L. Adler, Suzanne Keen, Sarah Oppenheimer and Seph Rodney, the book explores the artist's multifaceted approach to empathy, agency, audience and cocreation, among many other themes in her work. Oppenheimer considers the space of the museum as a site of experimentation, where visitors experience the curiosity and joy of transforming the artworks themselves. In Oppenheimer's words, "You have to enter the temporal network in order for the work to exist."
Yun-Fei Ji
This monograph features Beijing-born artist's acclaimed scrolls, sculptures, and drawings. In his stunning impressionistic works, Yun-Fei Ji takes on the thousand-year-old practice of Chinese scroll painting, employing ink on paper as his primary medium, and landscape as his central subject. Rather than adopting the idealism characteristic of traditional scroll painting, Ji presents the gritty reality of life in contemporary China. In this comprehensive monograph, Ji's works bridge the gap between modernity and tradition. Essays explore themes of community, dislocation, and environmental degradation as well as Chinese folklore and its rapid decline in his native country's culture.
Elias Sime
A first-ever monograph featuring the work of the Ethiopian artist Elias Sime, who brilliantly explores the impact of life in a post-consumerist world. Sime's brightly-colored sculptural tableaus feature found objects including thread, buttons, electrical wires, and computer detritus. This book highlights the artist's work from the last decade, much of which comprises the series entitled "Tightrope." Repurposing salvaged electronic components, such as circuits and keyboards, Sime incorporates the refuse that are the byproducts of technological advancement, and points to the urgency of sustainability. The resulting abstractions reference landscape and the figure as well as traditional Ethiopian textiles. "Tightrope" refers to the precarious balance between the progress technology has made possible and its detrimental impact on the environment. Published with the Ruth and Elmer Wellin Museum of Art
Julia Jacquette
Julia Jacquette's first major monograph presents an artistic exploration through the materialism, elitism, and idealization of past and contemporary society. Through her richly detailed paintings featuring imagery drawn from advertisements, New York-based artist Julia Jacquette addresses the challenges of navigating the contemporary media landscape that so directly influences our sense of personal identity and self-worth. Exposing our seemingly insatiable longing for a life that is purely a construct of the advertising industry, Jacquette's work focuses on commercialized objects of desire: prepared meals drawn from 1950s cookbook illustrations, ornate interiors of the wealthy sampled from contemporary lifestyle magazines, shimmering swimming pools extracted from luxury ad campaigns. These material trappings are presented, often close up, in works that convey the pervasiveness of such evocative imagery.
Africanfuturism
In the past few decades, Western studies of Afrofuturism have grown to encompass examples deriving from multiple sites across the diaspora, as well as from the African continent. However, an increasing number of Africans and Africanists have voiced their concerns about grouping African work under the larger umbrella of Afrofuturism without distinction and have emphasized the need to investigate the differences between African American and African production. This book offers an introduction to Africanfuturism—a body of African speculative works that is distinguishable from, albeit related to, US-based Afrofuturism. Kimberly Cleveland uses Africanfuturism as an intellectual lens to explore ...
A Sense of Place
Through Various media and approaches, the artists in "A Sense of Place," comment upon the power of a place to evoke shared and personal associations and to consider how our sense of community and identity is changing as the world becomes increasingly interconnected. The exhibition also explores the meaning of localism and regionalism in a global context.
Pure Pulp
A survey of works by leading contemporary artists made in residency at Dieu Donné. The Dieu Donné Studio is the site of unparalleled creative exploration and experimentation in paper-based art, where resident artists create innovative works that employ traditional materials and 21st-century technology. This collection highlights residents since 2000 who are known for their work in sculpture, painting, photography, performance, and conceptual art. Collecting the work of 20 acclaimed artists, this book includes a statement from each artist, essays about the residency program, and conversations with the studio collaborators.
