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The Fight for Belle Vue and The Field of Power
These two plays by playwright Travis Weekes intertwine Caribbean storytelling with traditional lore to produce captivating tales of intrigue and family drama.
BODIES, MEMORIES AND SPIRITS
The island of Saint Lucia possesses a vibrant Creole culture that has given shape to a lively and creative people. Cyclical traditions akin to Community Theatre emerged out of discourses, counter-discourses and work practices during centuries of European slavery and/or colonization of the Amerindian, the African and the East Indian. This text provides descriptions of a selection of those traditions. The research was conducted when the author was employed with the Folk Research Centre and while he was engaged in graduate research as a student of Cultural Studies at UWI, Cave Hill. Although the author attempts to place the traditions under study in their historical context, his focus however is on a discussion of the impact of those traditions on the people and their society.
Bibliography of St. Lucian Creative Writing
Bibliography of St. Lucian Creative Writing: Poetry, Prose, Drama by St. Lucian writers is an invaluable reference tool for those researching St. Lucian literature, including the work of internationally recognised St. Lucian-born Nobel laureate Derek Walcott. It lists published and unpublished literature by St. Lucians writing poetry, prose, and drama. Reviews and articles on St. Lucian literature are also cited in a substantial section. Also included are a listing of background readings that throw light on the literature. While the book was several years in the making, its completion was commissioned by the Cultural Development Foundation of St. Lucia.
Diaspora Pride - People, Places, and Things (V4)
As a nation, we should preserve our social memory by honoring those who paved the way for us to exist, recognizing those who etched their indelible mark on our lives, and remembering those who went to the great beyond before us as expressed in the Salute to the Dearly Departed segment (People); our regions, areas, and territories; our locales, hotspots, and hangouts and places we love to visit and events we constantly attend in (Places), and the happenings and the things that we cherish to death - items, commodities, artifacts, and products (Things). So dear readers, enjoy the mind "triggers" and heart-wrenching "diggers" you will find in this book honouring the 55th year of celebrating Jamaica's independence and the tantalizing trip down memory lane with this unofficial reference/resource guide by your side. You will recollect who is who (people), where is where (places), and what is what (things) in both the Jamaican and the Diaspora/Global context.
Another Chorus, Another Verse and Other Stories
Another Chorus, Another Verse and Other Stories is a multi-genre anthology of stories energized by the verve of the Caribbean voice and phantasmagoria: a young Caribbean man bearing witness to a female compatriot confronted by a firearm wielding Israeli soldier on a public bus; a farmer discombobulated by the vision and aura of a she-devil near a river adjoining his farm about the forest; a frustrated man who escapes the turpitude of the city to be confronted by the decadence of the countryside; a young couple grappling with the terror of a political and sexual maniac too demeaned to continue living.
Creolized Aurality
In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality.
Martin Sherman
Playwright and screenwriter Martin Sherman dramatizes outsiders--gay, female, foreign, disabled, different in religion, class or color--skipping over quicksand as they strive to survive. This book analyzes and evaluates Sherman's work, while correcting previously published errors and establishing the flavor of the critical debate. Devoting more attention to such internationally acclaimed works as Bent and Mrs. Henderson Presents, it also considers less well known and even unpublished and unproduced scripts as well as his working relationships with the luminaries of stage and screen who have appeared in, directed, and produced his plays and screenplays.
Passages and Afterworlds
The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary c...
