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This book contains accounts of a number of treason trials ranging from the Earl of Essex in 1601 to Lord Haw Haw in 1946.
Professor Bellamy places the theory of treason in its political setting and analyses the part it played in the development of legal and political thought in this period. He pays particular attention to the Statute of Treason of 1352, an act with a notable effect on later constitutional history and which, in the opinion of Edward Coke, had a legal importance second only to that of Magna Carta. He traces the English law of treason to Roman and Germanic origins, and discusses the development of royal attitudes towards rebellion, the judicial procedures used to try and condemn suspected traitors, and the interaction of the law of treason and constitutional ideas.
Will Gaveston is page boy to little Prince Edward, son of King Henry VIII. When his father is accused of treason and thrown into Newgate Prison, Will has to go into hiding in the back streets of London. He is befriended by a poor boy, Nick Drew, and together they brave imprisonment and death as they desperately try to gain pardon for Will’s father.
In 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate t...
It is high treason in British law to imagine the king's death. But after the execution of Louis XVI in 1793, everyone in Britain must have found themselves imagining that the same fate might befall George III. How easy was it to distinguish between fantasising about the death of George and imagining it, in the legal sense of intending or designing? John Barrell examines this question in the context of the political trials of the mid-1790s and the controversies they generated. He shows how the law of treason was adapted in the years following Louis's death to punish what was acknowledged to be a "modern" form of treason unheard of when the law had been framed. The result, he argues, was the invention of a new and imaginary reading, a "figurative" treason, by which the question of who was imagining the king's death, the supposed traitors or those who charged them with treason, became inseparable.
In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.
King-makers - Conspirators - Criminals - Nobles - Seducers 'A riveting story, splendidly told' DAILY TELEGRAPH 'Gripping and gruesome' BIG ISSUE IN THE NORTH 'Fascinating close-ups of outlandish Tudor behaviour' DAILY MAIL The Howard family - the Dukes of Norfolk - were the wealthiest and most powerful aristocrats in Tudor England, regarding themselves as the true power behind the throne. They were certainly extraordinarily influential, with two Howard women marrying Henry VIII - Anne Boleyn and the fifteen-year-old Catherine Howard. But in the treacherous world of the Tudor court no faction could afford to rest on its laurels. The Howards consolidated their power with an awesome web of schemes and conspiracies but even they could not always hold their enemies at bay. This was a family whose history is marked by treason, beheadings and incarceration - a dynasty whose pride and ambition secured only their downfall.
Hédi Kaddour’s poetry arises from observation, from situations both ordinary and emblematic—of contemporary life, of human stubbornness, human invention, or human cruelty. With Treason, the award-winning poet and translator Marilyn Hacker presents an English-speaking audience with the first selected volume of his work. The poetries of several languages and literary traditions are lively and constant presences in the work of Hédi Kaddour, a Parisian as well as a Germanist and an Arabist. A walker’s, a watcher’s, and a listener’s poems, his sonnet-shaped vignettes often include a line or two of dialogue that turns his observations and each poem itself into a kind of miniature theater piece. Favoring compact, classical models over long verse forms, Kaddour questions the structures of syntax and the limits of poetic form, combining elements of both international modernism and postmodernism with great sophistication. Capturing Kaddour’s full range of diction, as well as his speed, momentum, and tone, Marilyn Hacker’s translations brilliantly bring these poems alive.
Tudor England abounded with traitors great and small, whose ill-timed, self-defeating and irrational antics guaranteed their failure. Yet from the inept and calamitous intrigues of 'Sweet-Lips' Gregory Botolf in 1540 and Lord Admiral Thomas Seymour during the reign of Edward VI, to the bungling efforts at a palace coup by Robert Devereux, second Earl of Essex, during the final years of Elizabeth's reign, treason didn't prosper. Modern historians tend to dismiss the wave of political disasters as the works of men of unsound mind. Here, Lacey Baldwin Smith re-evaluates this mania for conspiracy in the light of psychological and social impulses peculiar to the age. Tudor England accepted unques...
With Elizabeth and Henry VIII dominant, the Tudor world still captures the popular imagination today. Yet how did the court change from Henry's ruggedly masculine environment to Elizabeth's feminine world? This book meticulously analyses events from the school room of Edward, through Mary and Philip's reign and right through to the era of Elizabeth's loving virgin circle. It charts how the court changed through a series of plots, affairs and religious rollercoasters that sent seismic waves reaching to the heart of the royal family.For readers interested in the early monarchy.