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Faith Thinking
Forging a path between the twin pitfalls of objectivism and relativism, Trevor Hart clears the way for a fresh paradigm of theology--faith seeking understanding.
Planning for Small Town Change
Change is inevitable in all communities: they both grow and decline. Planning is a means by which we have sought to manage this change. It has not always succeeded in providing the types of settlements and environments which many residents and others want, either because it is operating with the wrong policies or because it is failing to ensure that the right policies are effectively implemented. These failings have opened planning to criticism by a dominant neoliberal orthodoxy which shapes an increasingly difficult environment in which planning has to operate. Planning for Small Town Change builds on an underexploited selection of international research and the authors’ English case stud...
Between the Image and the Word
The central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of ’flesh-taking’ are inseparable and indivisible.
The Dictionary of Historical Theology
The Dictionary of Historical Theology is a major new reference work designed for everyone with an interest in the history and development of Christian theology. With 314 entries covering the key figures, theological movements, and significant texts that have shaped Christian thought, The Dictionary of Historical Theology traces the doctrinal development of Christianity from the early church to the present. Varying in length from 500 to 15,000 words, these entries treat the intellectual antecedents and descendents of the figures or schools of thought covered as well as their influence on the wider development of the Christian theological tradition. The 173 contributors to The Dictionary of Hi...
Making Good
God spoke, and all that is and all that ever will be came into existence. God alone can be called uncreated and Creator, and creation can only accomplish that which already exists within God's imagination. In Making Good, Trevor Hart argues that human creativity is always a matter of unfolding the possibilities already latent within the original creative event. Making Good contends that while humans must acknowledge the unique and incomparable dimensions of God's creative activity, the biblical theology of creation encourages rather than prohibits human creativity within a language of creation. Hart's basic contention is that the God known as the Father of Jesus Christ is no domineering deity who jealously seeks to protect his creative prerogatives, but one whose own creativity calls forth, inspires, and enables creative responses on the part of his human creatures. Making Good blends biblical, historical, and systematic theology into conversation with philosophy, aesthetics, and developments in creative theory among the social sciences. Hart renders a theological account of human artistry and the wider human activities of making good.
Faith Thinking, Second Edition
Faith Thinking provides a stimulating introduction to some vital questions of method in Christian theology. The book argues that faith commitments are necessary not in theology alone but in all serious acts of our knowing anything at all as human beings. Knowledge, in other words, is always bound to be the outcome of some process of "faith seeking understanding." Fresh consideration is given too in this book to relationships obtaining between the authoritative canon of Scripture, tradition, and "reason" in the theological task. Finally, in this new edition an important reevaluation is undertaken of the potentially explosive impact of "truth claims" in a post-truth world.
In Him Was Life
The consideration of the person of Christ is often disentangled from his 'work.' But this doctrinal tidying can be misleading and theologically dangerous. Christians contend that humans need to be rescued from an inescapable and uncontrollable plight that distorts and threatens to destroy their creaturely well-being under God. But how can a God who became flesh, taking on the form of one of God's own creatures and dwelling among us humanly, also be the salvation of humankind? The history of Christian doctrine reveals a remarkable variety and diversity of answers to this question. First, the biblical text itself offers a striking kaleidoscope of metaphors in its attempts to make sense of and ...
Tree of Tales
"This work examines the theological relationship between creation and creativity in the works of J.R.R. Tolkien. It does so by bringing together a synthesis of various disciplines and perspectives to the creativity of J.R.R. Tolkien. Hart and Khovacs provide a fresh reading of these important themes in Tolkien, and the result captures the multi-faceted nature of Tolkien's own vivid theology and literary imagination." --Amazon.com.
Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
