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Spirit in the Land
Spirit in the Land, which accompanies the art exhibition of the same name, examines today's urgent ecological concerns from a fresh perspective. Through their artwork and writing, the artists show how cultural identity and traditions are deeply rooted in our relationship with the land, illustrate the restorative need to return to nature, and exemplify how biodiversity and cultural diversity are essential to our survival. The exhibition and catalogue center the voices of underrepresented artists, approaching ecological awareness and environmental, social, and racial justice from the perspectives of the marginalized communities most negatively affected by today's crises. Acting as environmenta...
The Record
Nasher catalog for an exhibit on art that involves records, which will open in October 2009.
Prospect.4
"Now in its fourth iteration, Prospect New Orleans draws its inspiration from the city itself, a place of graceful beauty that thrives in adverse conditions. By positioning itself in the city of New Orleans, the Prospect triennial aims to echo the city's history of cross-cultural fertilization. From Creole culture to jazz, in waves of migration and colonization, and as the American South's largest port, New Orleans is truly a cultural and historic nexus. 'Prospect.4' plumbs New Orleans's richly hybrid character to offer a diverse and exhilarating panoply of new and exciting art. Exhibition: New Orleans (various venues), United States (11.11.2017-25.02.2018)"--
Unbelonging
How Latinx artists engage in sonic subcultures to reject neoliberal definitions of belonging What is the connection between the British rock star Morrissey and the Latinx culture of transnational “unbelonging”? What is the relevance of “dyke chords” in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance? Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists’, writers’, and creators’ use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of “unbelonging,” a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues ...
Litpop: Writing and Popular Music
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ co...
Grassroots Leadership and the Arts For Social Change
This book explores the intersection of grassroots leadership and the arts for social change, examining the many movements and subsequent victories the arts community has won for society. The book illustrates the diverse but influential work of these figures, reflecting on their actions, commitments and their positive impact on the modern world.
The Palgrave Handbook of African Social Ethics
This Handbook provides a robust collection of vibrant discourses on African social ethics and ethical practices. It focuses on how the ethical thoughts of Africans are forged within the context of everyday life, and how in turn ethical and philosophical thoughts inform day-to-day living. The essays frame ethics as a historical phenomenon best examined as a historical movement, the dynamic ethos of a people, rather than as a theoretical construct. It thereby offers a bold, incisive, and fresh interpretation of Africa’s ethical life and thought.
Long Suffering
An unflinching, illuminating look at three U.S. artists and their performances of suffering
The World in the Long Twentieth Century
The biological transformation of modern times -- The foundations of the modern global economy -- Reorganizing the global economy -- Localization and globalization -- The great explosion -- New world (dis)order -- High modernity -- Revolt and refusal -- Transformative modernity -- Democracy and capitalism triumphant
Cutting a Figure
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portrai...
