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FILM - Narration and seduction
FILM – Narration & Seduction gives a comprehensive insight in the essential elements of the modern Scandinavian screenwriting and filmmaking – it so to speak maps the newly discovered land. Through this book the reader will understand and learn more about modern film making than from any other book. FILM – Narration & Seduction goes several steps further and deeper in the psychological and dramaturgical aspects of screenwriting than other books and goes far further in dealing with the practical implications of professional work in the early stages of development. From the reviews: “Finally it is here - the book the professional community has looked out for, the educational institutio...
Film
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FILM - Fortælling og forførelse
Et godt manuskript er den første forudsætning for enhver god film. Men hvordan skriver man en god historie? Hvordan skaber man levende og troværdige karakterer? Hvordan strukturerer man forløbet så det bliver både spændende og bevægende? Hvordan får man replikkerne til at fungere som en naturlig del af historien, karaktererne og dramatikken? Hvordan fanger fastholder og forfører man sit publikum? "FILM – Fortælling og Forførelse 2" handler om det dramatiske, psykologiske og fortællemæssige håndværk der ligger bag en hver god fortælling. Bogen sigter mod at give læseren en indgående viden om den dramatiske fortælling og dens virkemidler. "...jeg bliver slået med ydmyghe...
Filmleksikon
Opslagsværk med korte artikler om skuespillere, instruktører, filmbegreber, filmlande m.m.
Faktiske tekster
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If your life were a movie ...
I once met a psychologist who had a passion for movies. We spoke among other things, about dramatic structure. I asked him how it is possible for us to continually watch movies based on essentially the same blueprint without being bored to death. The therapist glanced at a diagram of the classical three-act-structure typifying most movies and said; "Because the process is basically the same as you experience in therapy, and exactly here", he said as he pointed to the crucial midpoint af the classic movie, "is the point when most people experience an overwhelming urge to quit therapy, rather than crossing the point of no return and facing their problems. In movies however, one inevitably struggles through to the bitter end - otherwise there would be no story to tell" ...
