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This book deals with historical consciousness and its artistic expressions in contemporary Greece since 1989 from the point of view that contemporary Greeks have been faced with the contradictions between on the one hand a glorious, world-famous yet distant past and, on the other, a traumatic contemporary history of wars, expulsions, civil strife and political and economic crises. Such clashes of imaginary identifications and collective traumas call for interpretations not only from historians but also from artists and storytellers. Therefore, the chapters in this volume explore the ways in which sensitive and creative perspectives of art approach and appropriate history in Greece. Through a...
A broad discussion about how history and religion contribute to identity politics in contemporary Europe, this book provides case studies exemplifying how public intellectuals and academics have taken an active part in the construction of recent and traditional pasts. Instead of repeating the simplistic explanation as a return of religion, this volume focuses on public platforms and agents and their use of religion as a political and cultural argument. Filled with previously unpublished data gathered from texts, interviews, field observations, artifacts, and material culture, this record challenges stereotypical images of East and Southeast Europe.
This book examines the religious character of Nikos Kazantzakis’ literary work. The author of famous novels like Zorba the Greek, Christ Recrucified, Captain Michalis and The Last Temptation, as well as the programmatic essay Asceticism: The Saviours of God and the monumental Odyssey, wrestled with the numinous nearly lifelong. Though raised in and saturated with the liturgical and spiritual tradition of the Orthodox Church, he soon dissociated himself from the ecclesiastical establishment of his youth and searched for a new form of religion. A passionate ‘hunter’, he sought out the absolute truth and definitive redemption. In his quest for ‘God’, his steady and farthest goal was the incessant search for freedom – even freedom to such an extent as freedom from the liberator! Yet the Greek Orthodox inheritance has influenced his work to a quite considerable extent. He held on to various Christian elements which appealed to him, although he filled them in with altered contents. This especially concerns the emphasis on asceticism, the Cretan religious popular culture, the language of Scripture, various liturgical rituals as well as Byzantine hymnody and iconography.
The judgments of the European Court of Human Rights in the case of Lautsi vs. Italy (3 November 2009 and 18 March 2011) served as a catalyst for the debate on the presence of the cross in the public space in a number of European states. What are the effects of this debate? What is the meaning attributed to so-called negative religious freedom viewed in relation to the right to manifest religion and protect tradition and culture? Answers to these and related questions are provided in this volume by experienced contributors, who adopt diversified research perspectives and viewpoints. The analyses presented here concern not only the established democracies of Western Europe, but also post-communist states. Owing to the multifaceted approach thus offered, the book will prove to be helpful in distinguishing the implications of respect for the freedom of thought, conscience and religion from the consequences of diversified constitutional norms adopted in individual states, and also from subjective expectations.
This book investigates perceptions, modes, and techniques of Venetian rule in the early modern Eastern Mediterranean (1400–1700). Against the backdrop of the controversial notion of the Venetian realm as a colonial empire, essays from a range of specialists examine how Venice negotiated control over the territories, resources, and traditions of different empires (Byzantine, Roman, Mamluk, Ottoman) while developing its own claims of authority. Focusing in particular on questions of belonging and status in the Venetian overseas territories, the volume incorporates observations on the daily realities of Venetian rule: how did Venice negotiate claims of authority in light of former and ongoing...
There is an increasing interest in the influence of religious fundamentalism upon people’s motivation, identity and decision-making. Leaving Christian Fundamentalism and the Re-construction of Identity details the stories of those who have left Christian fundamentalist churches and how they change after they have left. It considers how the previous fundamentalist identity is shaped by aspects of church teaching and discipline that are less authoritarian and coercive, and more subtle and widely spread throughout the church body. That is, individuals are understood as not only subject to a form of judgment, but also exercise it, with everyone seemingly complicit in maintaining the stability of the church organisation. This book provocatively illustrates that the reasons for leaving an evangelical Christian church may be less about what happens outside the church in terms of the lures and attractions of the secular world, and more about the experience within the community itself.
In Sufism East and West, the contributors investigate the redirection and dynamics of Sufism in the modern era, specifically from the perspective of global cross-cultural exchange. Edited by Jamal Malik and Saeed Zarrabi-Zadeh, the book explores the role of mystical Islam in the complex interchange and fluidity in the resonance spaces of “East” and “West.” The volume challenges the enduring Orientalist binary coding of East-versus-West and argues instead for a more mutual process of cultural plaiting and shared tradition. By highlighting amendments, adaptations and expansions of Sufi semantics during the last centuries, it also questions the persistent perception of Sufism in its post-classical epoch as a corrupt imitation of the legacy of the great Sufis of the past.
Where nostalgia was once dismissed a wistful dream of a never-never land, the academic focus has shifted to how pieces of the past are assembled as the elements in alternative political thinking as well as in artistic expression. The creative use of the past points to the complexities of the conceptualization of nostalgia, while entering areas where the humanities meet the art world and commerce. This collection of essays shows how this bond is politically and socially visible on different levels, from states to local communities, along with creative developments in art, literature and religious practice. Bringing together scholars from a range of disciplines, the book offers analyses from d...
As issues of climate and ecology become ever more important, Christian communities are increasingly looking for appropriate ways to respond to the current crisis in their worship and liturgy. In this book, Mark Porter draws on more than 40 interviews with activists, song-writers, Christian leaders, and musicians to explore what it means to develop new Christian musical practices for a time of ecological crisis. Through these different conversations, the book enters into fundamental questions regarding our relationships with the world around us, the relationship between spirituality and ecology, and the different ways in which we can engage with the climate crisis which we are facing.