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Art in Odd Places 2011: RITUAL
Art in Odd Places 2011: RITUAL Ceremony. Habituation. Myth. Obsession. Superstition. Liturgy. Art in Odd Places (AiOP) is a thematic, annual festival that presents visual and performance art in public spaces along 14th Street in Manhattan, NYC each October. In 2011, over sixty artists and performers created public art interventions as part of Art in Odd Places 2011: RITUAL. This richly illustrated catalogue is both a document of, and critical extension on, the diverse projects that were presented. Including commentary by leading practitioners in contemporary art and urban design including: AiOP Founder and Director, Ed Woodham, co-curators Kalia Brooks and Trinidad Fombella, Juliana Driever, Victoria Marshall, Adam Brent, Ernesto Pujol, and Linda Mary Montano. AiOP is an artist-led initiative that uses 14th Street as a laboratory to locate cracks in public space policies, question the dehumanization of the urban landscape, and celebrate the theater of civic space.
Rafael Ferrer
The first major account of the celebrated Puerto Rican artist
Nexus New York
An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both cel...
A Handbook of Latinx Art
A curated selection of key texts and artists' voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art.
Anna Maria Maiolino
Accompanying the first major UK solo exhibition of her work, this comprehensive publication charts five decades of Brazil-based artist Anna Maria Maiolino, one of the defining female voices of her generation. Born in Calabria, Italy, in 1942, Anna Maria Maiolino's extraordinary multi-dimensional career is presented by Whitechapel Gallery in the first major UK solo exhibition of the artist's work. Bringing together emotive clay sculptures, politically-charged films and performances, drawings, photography and installations, the large-scale survey will feature highlights of Maiolino's work from the late 1960s to the present. Drawing inspiration from the everyday female consciousness, Maiolino's...
Is This Tomorrow?
For a major new presentation in 2019, Whitechapel Gallery is taking as a model its groundbreaking 1956 exhibition 'This is Tomorrow', an event which is indelibly linked to the institution's history. Organised and developed by architect, writer and sculptor Theo Crosby, 'This is Tomorrow' featured 37 artists, architects, designers and writers who worked together in 12 small groups. In the catalogue, Lawrence Alloway introduced the exhibition as "devoted to the possibilities of collaboration", the results of which "appear to be setting up a programme for the future." 'Is This Tomorrow?' will also feature 12 groups of contemporary architects, artists and other cultural practitioners to highligh...
This is Tomorrow
This Is Tomorrow was a seminal exhibition of art, architecture, music and graphic design that took place at London's Whitechapel Gallery in August 1956. At its core was a room given over to the Independent Group, the proto-Pop collective comprised of (at various stages) the theorists Reyner Banham and Lawrence Alloway, photographer Nigel Henderson and the artists Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. The Independent Group's room premiered works of Op art alongside film posters, collages, murals, films and a jukebox, and was Britain's introduction to the phenomenon later named Pop. The spiralbound catalogue for This Is Tomorrow was designed by Edward Wright and published by Lund Humphries; out of print since 1957, it has since become a much sought-after rarity and a classic of graphic design and postwar visual culture. This facsimile edition is published for the Whitechapel's 2010-11 reconstruction of the 1956 show.
Sky in the Deep
A 2018 Most Anticipated Young Adult book that is part Wonder Woman, part Vikings―and all heart. Raised to be a warrior, seventeen-year-old Eelyn fights alongside her Aska clansmen in an ancient, rivalry against the Riki clan. Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield―her brother, fighting with the enemy―the brother she watched die five years ago. Faced with her brother's betrayal, Eelyn is captured and must survive the winter in the mountains with the Riki, in a village where every neighbour is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family. She is given no choice but to trust Fiske, her brother's friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she's spent her life hating.
