Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Anna Maria Maiolino
Accompanying the first major UK solo exhibition of her work, this comprehensive publication charts five decades of Brazil-based artist Anna Maria Maiolino, one of the defining female voices of her generation. Born in Calabria, Italy, in 1942, Anna Maria Maiolino's extraordinary multi-dimensional career is presented by Whitechapel Gallery in the first major UK solo exhibition of the artist's work. Bringing together emotive clay sculptures, politically-charged films and performances, drawings, photography and installations, the large-scale survey will feature highlights of Maiolino's work from the late 1960s to the present. Drawing inspiration from the everyday female consciousness, Maiolino's...
Art in Odd Places 2011: RITUAL
Art in Odd Places 2011: RITUAL Ceremony. Habituation. Myth. Obsession. Superstition. Liturgy. Art in Odd Places (AiOP) is a thematic, annual festival that presents visual and performance art in public spaces along 14th Street in Manhattan, NYC each October. In 2011, over sixty artists and performers created public art interventions as part of Art in Odd Places 2011: RITUAL. This richly illustrated catalogue is both a document of, and critical extension on, the diverse projects that were presented. Including commentary by leading practitioners in contemporary art and urban design including: AiOP Founder and Director, Ed Woodham, co-curators Kalia Brooks and Trinidad Fombella, Juliana Driever, Victoria Marshall, Adam Brent, Ernesto Pujol, and Linda Mary Montano. AiOP is an artist-led initiative that uses 14th Street as a laboratory to locate cracks in public space policies, question the dehumanization of the urban landscape, and celebrate the theater of civic space.
Is This Tomorrow?
For a major new presentation in 2019, Whitechapel Gallery is taking as a model its groundbreaking 1956 exhibition 'This is Tomorrow', an event which is indelibly linked to the institution's history. Organised and developed by architect, writer and sculptor Theo Crosby, 'This is Tomorrow' featured 37 artists, architects, designers and writers who worked together in 12 small groups. In the catalogue, Lawrence Alloway introduced the exhibition as "devoted to the possibilities of collaboration", the results of which "appear to be setting up a programme for the future." 'Is This Tomorrow?' will also feature 12 groups of contemporary architects, artists and other cultural practitioners to highligh...
Rafael Ferrer
The first major account of the celebrated Puerto Rican artist
Nexus New York
An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both cel...
Between the Bocas
Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entrepôt to mainland South America. Trinidad’s geographic position—seen as strategic by various imperial governments—led to many heterogeneous peoples from across the region and globe settling or being relocated there. The calm waters around the Gulf of Paria on the western fringes of Trinidad induced settlers to construct a harbour, Port of Spain, around which the modern capital has been formed. From its colonial roots into the postcolonial era, western Trinidad therefore has played an especial part in the shaping of the island’s literature. Viewed from one perspective, western Trinidad m...
A Dougla’s Tale
This book captures life on the Caribbean island nation of Trinidad in the 1950s and 1960s. A collection of autobiographical tales is told from the perspective of the author as a young girl growing up in an inter-racial family in the idyllic, inter-cultural village of Flanagin Town in Central Trinidad. Life on the island is vividly described through the use of Trinidadian Creole and Standard English. The stories are told with humour as the illiterate, bold, clever, yet flawed matriarch of the family, Popo, works tirelessly to ensure that her children will have an education and an easier life than she had. The author captures the acceptance and respect the peoples of this diverse community have for each other and each other's cultures. The first-time author has been living in Canada for the past 50 years.
Bacchanal!
For two days each year Trinidad's capital, Port of Spain, hosts 'the greatest show on earth' - a raucous mix of music, costume and revelry known as Carnival. The festival has become more or less synonymous with the Caribbean island and is an intrinsic part of its identity and popular culture. Making extensive use of interviews with artists and other participants, BACCHANAL! explores the place of Carnival in Trinidadian society and the people who take part in it: -- How the festival reflects and affects attitudes towards religion, language, humour, politics, male-female relations and folk traditions. -- The historical role of Carnival, its roots in colonial society and slavery, and its traditional function as an expression of subversion and revolt. -- The effect of contemporary social and cultural influences on the dynamic, evolving phenomenon of Carnival. -- The increasing involvement of Indo-Trinidadians and women, the competing musical forms of reggae and soca, and the impact of tourism and commercialism.
Beyond Boundaries
The first survey of writings on nineteenth-century Trinidad and Tobago; When V. S. Naipaul received the Nobel Prize for Literature in 2001, the award marked the culmination of a literary tradition that was almost two hundred years in the making. The island nation of Trinidad and Tobago has produced such important writers and thinkers as C. L. R. James, J. J. Thomas, Eric Williams, Oliver Cromwell Cox, Sylvester Williams, George Padmore, Earl Lovelace, Arnold Rampersad, and Merle Hodge. Yet this literary legacy is not well known, particularly with respect to works dating from the nineteenth century. Beyond Boundaries traces the development of the country's literary and intellectual history from the Narrative of Louisa Calderon (1803) to Stephen Cobham's Rupert Gray: A Tale of Black and White (1907). Selwyn R. Cudjoe examines a wide range of narratives by and about the people of Trinidad and Tobago, from treatises in the natural sciences, to journals and memoirs, histories, slave narratives, travelers' accounts, poems, stories, novels, theatrical works, and writings in the popular press. Along the way, he discusses such seminal works as Jean Baptiste Philippe's Free Mulatto (1824)
Trinidad & Tobago - Culture Smart!
The twin Caribbean islands of Trinidad and Tobago could hardly be more different. Trinidad is vibrant, cosmopolitan, culturally diverse, and multiethnic, with a population descended from East Indian, African, Spanish, French, Dutch, American, Chinese, Syrian, and English forebears. This potent mix finds full expression in unbridled revelry each February with the celebration of Carnival—a dazzling, open-to-all-comers, mass participation street extravaganza of steel bands, calypso, dance, and the magnificent costumed bands "playing mas" (short for masquerade). Tobago, by contrast, is much quieter, predominantly rural, and a tranquil tropical idyll. Both islands have a history of slavery and ...
