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Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.
In a distant corner of the late antique world, along the Atlantic river valleys of western Iberia, local elite populations lived through the ebb and flow of empire and kingdoms as historical agents with their own social strategies. Contrary to earlier historiographical accounts, these aristocrats were not oppressed by a centralized Roman empire or its successor kingdoms; nor was there an inherent conflict between central states and local elites. Instead, Damián Fernández argues, there was an interdependency of state and local aristocracies. The upper classes embraced state projects to assert their ascendancy within their communities. By doing so, they enacted statehood at the local level, ...
TOLETUM, das "Netzwerk zur Erforschung der Iberischen Halbinsel in der Antike", legt mit diesem Band erstmals ein deutsch-spanisches Kompendium zur Städteforschung vor. In 36 Beiträgen gewährt eine neue Generation von Wissenschaftlerinnen und Wissenschaftlern Einblick in ihre Untersuchungen einer Region des Mittelmeerraums, die wie keine andere in den vergangenen drei Jahrzehnten durch spektakuläre Neufunde auf sich aufmerksam gemacht hat: Das Amphitheater von Corduba, das Theater und Forum von Carthago Nova oder Caesaraugusta, Teile der Stadtanlage von Segobriga und das Senatus consultum de Cn. Pisone patre, die Lex Irnitana - ja über 20.000 Inschriften. Auf der Grundlage eines interdisziplinären und traditionelle Periodisierungen überschreitenden Ansatzes bieten die Analysen von Stadtanlagen wie epigraphischen Monumenten neue Erkenntnisse in die bauliche Ausgestaltung und soziale Organisation der "Lebenswelt Stadt" zwischen Rom und al-Andalus.
Altera Roma explores the confrontation of two cultures, European and Amerindian, and two empires, Spanish and Aztec. In an age of exploration and conquest, Spanish soldiers, missionaries, and merchants brought an array of cultural preconceptions. Their encounter with Aztec civilization coincided with Europe's rediscovery of classical antiquity, and Tenochtitlan came to be regarded a "second Rome," or altera Roma. Iberia's past as the Roman province of Hispania served to both guide and critique the Spanish overseas mission. The dialogue that emerged between the Old World and the New World shaped a dual heritage into the unique culture of Nueva Espana. In this volume, ten eminent historians and archaeologists examine the analogies between empires widely separated in time and place and consider how monumental art and architecture created "theater states," a strategy that links ancient Rome, Hapsburg Spain, preconquest Mexico, and other imperial regimes.
This book surveys the practice of horse racing from antiquity to the modern period, and in this way offers a selective global history. Unlike previous histories of horse racing, which generally make claims about the exclusiveness of modern sport and therefore diminish the importance of premodern physical contests, the contributors to this book approach racing as a deep history of diachronically comparable practices, discourses, and perceptions centered around the competitive staging of equine speed. In order to compare horse racing cultures from completely different epochs and regions, the authors respond to a series of core issues which serve as structural comparative parameters. These key ...
Ancient religions are definitely complex systems of gods, which resist our understanding. Divine names provide fundamental keys to gain access to the multiples ways gods were conceived, characterized, and organized. Among the names given to the gods many of them refer to spaces: cities, landscapes, sanctuaries, houses, cosmic elements. They reflect mental maps which need to be explored in order to gain new knowledge on both the structure of the pantheons and the human agency in the cultic dimension. By considering the intersection between naming and mapping, this book opens up new perspectives on how tradition and innovation, appropriation and creation play a role in the making of polytheist...
Die Monographie leistet am Beispiel der Iberischen Halbinsel einen Beitrag zur Geschichte der Herrschaftsausubung Roms in den Provinzen. Sie konzentriert sich damit auf eine Region, in der Mechanismen romischer Herrschaftspraxis vom ausgehenden 3. Jh. v. bis zur arabischen Eroberung im fruhen 8. Jh. n. Chr. zu fassen sind. Archaologische Stadtforschung und epigraphische Funde in bisher nicht bekanntem Ausmasse machen es erstmals moglich, die Geschichten der drei Provinzhauptstadte im Fokus zweier ihrer Konstituenten zu schreiben - des Stadtbildes und der Elite. Die Studie beschreibt die archaologisch-urbanistische wie sozialhistorische Entwicklung der Stadte, analysiert sie vergleichend als ...