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Using Images in Late Antiquity
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the periods visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantines expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.
Altera Roma
Altera Roma explores the confrontation of two cultures, European and Amerindian, and two empires, Spanish and Aztec. In an age of exploration and conquest, Spanish soldiers, missionaries, and merchants brought an array of cultural preconceptions. Their encounter with Aztec civilization coincided with Europe's rediscovery of classical antiquity, and Tenochtitlan came to be regarded a "second Rome," or altera Roma. Iberia's past as the Roman province of Hispania served to both guide and critique the Spanish overseas mission. The dialogue that emerged between the Old World and the New World shaped a dual heritage into the unique culture of Nueva Espana. In this volume, ten eminent historians and archaeologists examine the analogies between empires widely separated in time and place and consider how monumental art and architecture created "theater states," a strategy that links ancient Rome, Hapsburg Spain, preconquest Mexico, and other imperial regimes.
Imagen y memoria
Grabmonument.
From Republic to Empire
Political image-making—especially from the Age of Augustus, when the Roman Republic evolved into a system capable of governing a vast, culturally diverse empire—is the focus of this masterful study of Roman culture. Distinguished art historian and classical archaeologist John Pollini explores how various artistic and ideological symbols of religion and power, based on Roman Republican values and traditions, were taken over or refashioned to convey new ideological content in the constantly changing political world of imperial Rome. Religion, civic life, and politics went hand in hand and formed the very fabric of ancient Roman society. Visual rhetoric was a most effective way to communica...
Museum Archetypes and Collecting in the Ancient World
Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
Aristocrats and Statehood in Western Iberia, 300-600 C.E.
In a distant corner of the late antique world, along the Atlantic river valleys of western Iberia, local elite populations lived through the ebb and flow of empire and kingdoms as historical agents with their own social strategies. Contrary to earlier historiographical accounts, these aristocrats were not oppressed by a centralized Roman empire or its successor kingdoms; nor was there an inherent conflict between central states and local elites. Instead, Damián Fernández argues, there was an interdependency of state and local aristocracies. The upper classes embraced state projects to assert their ascendancy within their communities. By doing so, they enacted statehood at the local level, ...
oppidum - civitas – urbs
TOLETUM, das "Netzwerk zur Erforschung der Iberischen Halbinsel in der Antike", legt mit diesem Band erstmals ein deutsch-spanisches Kompendium zur Städteforschung vor. In 36 Beiträgen gewährt eine neue Generation von Wissenschaftlerinnen und Wissenschaftlern Einblick in ihre Untersuchungen einer Region des Mittelmeerraums, die wie keine andere in den vergangenen drei Jahrzehnten durch spektakuläre Neufunde auf sich aufmerksam gemacht hat: Das Amphitheater von Corduba, das Theater und Forum von Carthago Nova oder Caesaraugusta, Teile der Stadtanlage von Segobriga und das Senatus consultum de Cn. Pisone patre, die Lex Irnitana - ja über 20.000 Inschriften. Auf der Grundlage eines interdisziplinären und traditionelle Periodisierungen überschreitenden Ansatzes bieten die Analysen von Stadtanlagen wie epigraphischen Monumenten neue Erkenntnisse in die bauliche Ausgestaltung und soziale Organisation der "Lebenswelt Stadt" zwischen Rom und al-Andalus.
