You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
David Kirby Charles Baxter David H. Lynn Marie Myung-Ok Lee Barbara Hamby Mary Morris Debora Greger Reginald Shepherd Amit Majmudar Page Hill Starzinger Ricardo Pau-Llosa Julianna Baggott G.E. Murray Patrice de La Tour du Pin--translated from the French by Jennifer Grotz R.T. Smith Rebecca Rasmussen Steven A. Dabrowski Celeste Ng Nancy Eimers Chard deNiord Laura Kasischke Derek Mong Judith Valente Debra Nystrom John J. Clayton Erika Dreifus David Wagoner Charlie Smith Pimone Triplett Megan Harlan Jonathan Fink Corey Marks Anne Harding Woodwortth
John Rybicki offers up an unafraid set of poems in this charged book of verse. We Bed Down Into Water is rich with imagery of family, love, illness, death, and, indeed, water, which seeps in throughout the pages: rivers, pools, rain, and tears. His moving stories, in both prose and verse, struggle to hang on to a vision of the world that can still allow benevolence, luck, and laughter. In this, the collection embodies a contradiction: it is a tender book of fury, a book of bleak hopefulness. Rybicki’s work is steeped in challenge: the biological and spiritual challenge posed by his beloved’s recurrent cancer or the daily challenges of an adopted child who could be, all too easily, lost. He spins these phenomenal struggles into a lyrical book that offers hope and awakens the reader into a new way of seeing.
Out of Silence is a poetry book encompassing the contradictions of twentieth-century America.
A lyrical novel of memory portrays an old house in the Texas countryside, and the family that once lived there. Each member of the family gives an accounting of events, secrets and feelings.
Winner of the William Goyen Prize for Fiction Eugene Garber's masterpiece of the imagination takes readers on a rich fictional odyssey that is a meditation on the American character and experience. Moving back and forth in time, populated by memorable characters that include Henry Adams, Isadora Duncan, and Lincoln Steffans, the story follows the historian's quest to find the American woman, whose vitality has been all but written out of history by puritan consciousness.
A lyrical collection examines the quotidian beauty that surrounds us despite deep loss and climate crisis The Way of the Earth is the fourth collection from award-winning poet Matthew Shenoda. In this, his most personal collection to date, he explores the temporal and fleeting nature of human life and the earth we inhabit. Through ruminations on the intersections of culture and ecology, the death of loved ones, and the growing inequities in our midst, Shenoda explores what it means to be a person both grounded to the earth and with a yearning beyond it. Memories of landscapes and histories echo throughout the sensations of the present: the sight of egrets wading in the marshes, the smell of the ocean, a child’s hand nestled in a warm palm. “Time never goes back,” Shenoda writes, “but the imagination must.”
Poems by a Chicano. In one he describes the bigotry he experienced in Texas as a child migrant worker: "Teach me to save myself from those who / with wrathful hand cut off the germinal hope / from my first breath on and wrecked my days." By the author of Shaking Off the Dark.
None
Meredith Steinbach's moving first novel tells the story of a strong yet vulnerable woman's attempts to reconcile her varying roles as daughter, wife, and doctor. Zara centers on Zara Montgomery's troubled relationships with three powerful forces in her life: her taciturn physician father; her mother, dying of cancer; and her attractive but unstable husband. In prose both sharp and spare, Steinbach paints a deeply perceptive portrait of a remarkable young woman.
The World Is Round, Nikky Finney’s third volume of poetry, collects the wisps of memory we carry with us throughout our earthly lives and weaves them into deft and nuanced poems that emphasize understanding the cycles of life. The settings offer a view into the kaleidoscope of human experience: the sweetness and shock of family life, the omnipresent wash of memory, and the ebullience of warm Southern air. The World Is Round carries with it an implicit challenge—to the author as a poet, and to the reader as a fellow human—to see the characters and details and events of our lives with clarity, fearlessness, and love. The result is poems that range the gamut of human reach and resilience, fury and frailty. The poet’s vision of community requires understanding and tolerance from every breathing soul. Finney illuminates the cruelties of the sometimes gawking, narrow-minded world and makes a plea for compassion inspired by our common humanity.