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The Tudor age was a tumultuous one – a time of the Reformation, conspiracies, uprisings and rebellions. The Tudor Rebellions gives a chronological run-down of the major rebellions and throws light on some of the main themes of Tudor history, including the dynasty’s attempt to bring the north and west under the control of the capital, the progress of the English Reformation and the impact of inflation, taxation and enclosure on society. Successive versions of Tudor Rebellions have been central to understanding Tudor politics since 1968, when Anthony Fletcher first published his book. Now nearly four decades later, Professor Diarmaid MacCulloch has once more thoroughly revised and expanded this classic text to take into account exciting and innovative work on the subject in recent years.
Tudor Rebellions, now in its sixth edition, gives a chronological account of the major rebellions against the Tudor monarchy from the reign of King Henry VII until the death of Queen Elizabeth I in 1603. It also throws light on some of the main themes of Tudor history, including the dynasty’s attempt to bring the north and west under the control of the capital, the progress of the English Reformation and the impact of inflation, taxation and enclosure on society. This new edition has been thoroughly revised to take into account the exciting and innovative work on the subject in recent years and bring the historiographical debates right up to date. It now includes additional documents and e...
A lavish, large-format illustrated chronicle of the golden age of English history. The Tudor Chronicles is a compelling, year-by-year chronology of this tumultuous and critical period in the development of the modern English nation.
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays. Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux family * Espionage * Family of Love * food and diet * James Hepburn, Earl of Bothwell * inns * Ket's Rebellion * John Lyly * mapmaking * Frances Meres * miniature painting * Pavan * Pilgrimage of Grace * Revels Office * Ridolfi plot * Lady Mary Sidney, Countess of Pembroke * treason * and much more. Also includes an 8-page color insert.
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
A detailed synthesis of information relating to the English navy during the Tudor period, an era that actually began in 1483 and continued through to the start of the 17th century. This study examines not only the technical aspects of naval history but also the manner in which the navy worked.
This book is the classic regional and comparative study of early modern witchcraft. This second edition adds a new historiographical introduction, placing the book in context today.
Filling a gap in the study of early modern literature, Massimiliano Morini here exhaustively examines the aims, strategies, practice and theoretical ideas of the sixteenth-century translator. Morini analyzes early modern English translations of works by French and Italian essayists and poets, including Montaigne, Castiglione, Ariosto and Tasso, and of works by classical writers such as Virgil and Petrarch. In the process, he demonstrates how connected translation is with other cultural and literary issues: women as writers, literary relations between Italy and England, the nature of the author, and changes in the English language. Since English Tudor writers, unlike their Italian contemporar...