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The militarized legacy of the digital cloud: how the cloud grew out of older network technologies and politics. We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and cultural norms, all working to keep us from noticing their existence. In this book, Tung-Hui Hu examines the gap between the real and the virtual in our understanding of the cloud. Hu shows that the cloud grew out ...
A poetic and provocative gesture toward cinematography, Tung-Hui Hu presents the ungraspable among memory, film, and history's tantalizing ephemera
The exhaustion, disappointment, and listlessness experienced under digital capitalism, explored through works by contemporary artists, writers, and performers. Sometimes, interacting with digital platforms, we want to be passive—in those moments of dissociation when we scroll mindlessly rather than connecting with anyone, for example, or when our only response is a shrugging “lol.” Despite encouragement by these platforms to “be yourself,” we want to be anyone but ourselves. Tung-Hui Hu calls this state of exhaustion, disappointment, and listlessness digital lethargy. This condition permeates our lives under digital capitalism, whether we are “users,” who are what they click, o...
This debut collection explores memory, cities, motion. Tung-Hui Hu's tone has some of the swampy wit that recalls Calvino or Michaux: A man swaps bodies with his lover; a mapmaker holds captive a city, which needs his crystal telescope to navigate through streets "unreadable as palm lines"; a car pushed off a cliff in a fit of anger becomes home for a school of fish. Anchored by the sequence "Elegies for self," Hu's poetry brings a quiet sophistication to syntax, diction, and form.
Even as "network" has become a contemporary keyword, its overuse has limited its analytic usefulness. In the enthusiasm that orbits the concept, the network is too easily taken up as a term that we should already know. Patrick Jagoda claims that we do not, in fact, know networks, in part because of their very ubiquity and variety. His book shows how a range of popular aesthetic forms mediate our experience of networks and yield up greater insight into this critical concept. Each chapter of "Network Aesthetics" considers how a different contemporary genre makes sense of decentralized network structure, from fiction, film, and television to popular videogames such as Introversion's "Uplink," experimental games such as Jason Rohrer's "Between," and emergent transmedia storytelling forms such as "Alternate Reality Games." Jagoda wants to show that network aesthetics, in all of these cases, are not simply the quality of a genre; more substantively, they are a critical corollary to an era in which interconnection has become a key cultural framework. "Network Aesthetics" cuts through the cliches of sublime interconnection and illuminates the ordinary, lived aspects of networked life.
A exploration of the latest trend in technology and the impact it will have on the economy, science, and society at large.
‘The Internet is broken and Paolo Bory knows how we got here. In a powerful book based on original research, Bory carefully documents the myths, imaginaries, and ideologies that shaped the material and cultural history of the Internet. As important as this book is to understand our shattered digital world, it is essential for those who would fix it.’ — Vincent Mosco, author of The Smart City in a Digital World The Internet Myth retraces and challenges the myth laying at the foundations of the network ideologies – the idea that networks, by themselves, are the main agents of social, economic, political and cultural change. By comparing and integrating different sources related to netw...
A collection intent on worrying the boundaries between natural and unnatural, human and not, Unlikely Designs draws far-ranging source material from the back channels of knowledge making: the talk pages of Wikipedia, the personal writings of Charles Darwin, the love advice doled out by chatbots, and the eclectic inclusions on the Golden Record time capsule. It is here we discover the allure of the index, what pleasure there is in bending it to our own devices. At the same time, these poems also remind us that logic is often reckless, held together by nothing more than syntactical short circuits—well, I mean, sorry, yes—prone to cracking under closer scrutiny. Returning us again and again to these gaps, Katie Willingham reveals how any act of preservation is inevitably an act of curation, an outcry against the arbitrary, by attempting to make what is precious also what survives.
Beyond contemporary disclosures about mass surveillance by intelligence services, the promises inherent in ?big data? determine discourses about future innovations and systems of classification in government and industry, which aim to increasingly transform political and systemic questions into those of technological management. The promises of participation and ?digital democracy? stand in contrast to new forms of cybernetic control and modulation of social behavior on an unprecedented scale. The countless sensors of ubiquitous digital and technological infrastructures have united the state, industry, body and technology into ever more complex 'nervous systems'. This nervousness is revealed in particular where relationships of power and participation come to the fore, namely in the 'social question'. 00Exhibition: Haus der Kulturen der Welt, Berlin, Germany (02-04.2016).
'Remarkable ... Evoking the intensity with which orchid hunters pursue their quarry ... Vivid and expressive' Sunday Times 'Wonderfully vivid ... this is a beautifully written celebration of these mysterious and endangered plants' Guardian 'Rich with orchids and their subjects ... A wonderful book' Robert Macfarlane Orchid Summer is a heady celebration of the beauty and history of the wild orchid species of the British Isles, embraced in one dazzling summer-long hunt by naturalist Jon Dunn. The flowers that are the focus of this treasure hunt are exquisite and diverse. Some tower above the surrounding vegetation; others are vanishingly small and discrete. Some are sweetly scented; others smell of ripe billy goats. Some are abundant; others more elusive - none more so than the last to flower, the ghost orchid... Capturing the intoxicating beauty of these rare flowers, Orchid Summer explores their history, their champions, their place in our landscape and the threats they face. Combining infectious enthusiasm and a painterly eye with a deep knowledge that comes from a lifetime's passionate devotion to their study, Dunn sweeps us up on his adventure.