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"All the Acorns on the Forest Floor is a stirring series of stories interwoven by the common threads of human frailty and the complexities of relationships. Poignant and poetic, the characters of these stunning vignettes are guaranteed to haunt and inspire long after the last page is turned. " –Suzanne Redfearn, bestselling author of In an Instant " In All the Acorns on the Forest Floor, Kim Hooper delivers an empathetic, compulsively readable book with a cast of characters you'll swear you know. With compassion and great heart, Hooper reminds us that people have histories, and we're all more connected than we think." –Michelle Gable, New York Times bestselling author of A Paris Apartmen...
J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and colour. The Turner Book goes beyond the usual interpretations of the artist, revealing the extraordinary self-belief and ambition that allowed him to continue steadfastly with his experimentation in the face of hostile critical attack. The book examines in detail key works and the techniques by which Turner realised them and features revealing extracts from his notebooks, travel journals and poetry. Beautifully illustrated with both famous and unknown works and ranging over the entire course of the artist's career, this is the essential guide to Turner's life and work. Sam Smiles is Professor of Art History at the University of Plymouth at Exeter and the author of numerous acclaimed books, including J.M.W. Turner, Two-way Traffic: British Art and Italian Art 1880-1980 and The Image of Antiquity: Ancient Britain and the Romantic Imagination.
Provides a history of the 9th Infantry Division in World War II and Vietnam, including narratives and biographical sketches primarily of veterans who served during the Vietnam War.
A journey behind the mask and into the mind of Gotham City’s Caped Crusader, timed for the summer 2012 release of The Dark Knight Rises Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Gives you fresh insights into the complex inner world of Batman and Bruce Wayne and the life and characters of Gotham City Explains psychological theory and concepts through the lens of one of the world’s most popular comic book characters Written by a psychology professor and “Superherologist” (scholar of superheroes)
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
Meet the Artist: J. M. W. Turner is packed with inspiring activities for budding young artists. Create colorful Turneresque landscapes and seascapes, experiment with watercolors, and paint portraits of your friends and family. Starting with a brief introduction to the life of J. M. W. Turner (1775-1851), an English painter known for his evocative land- and seascapes, the book offers a series of drawing-based activities that explore prominent themes and ideas in the artist's work. Featuring beautiful reproductions of actual artworks and illustrated by a leading contemporary illustrator, this book, like all titles in the Meet the Artist series, encourages children to use art as an avenue for exploring ideas and expressing their own experiences.
"J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. ...
One of the most popular painters of all time, J.M.W. Turner created a remarkable collection of sketchbooks over the course of his career. The 'Skies' sketchbook takes its name from its many richly coloured sky studies. Most of the sketches in the book were presumably observed in England, but a few many have been seen in Italy, Germany and the Netherlands. The dramatic consequence of the eruption of Mount Tambora in 1815m darkening skies and reddening sunsets around the world, surely caught his attention. Turner's more intensely-coloured studies may document these effects which lasted for over a year. This edition of the sketchbook reproduces all these beautiful drawings in near-facsimile.
Turner's sketchbooks' offer perhaps themost appealing introduction to the artist. They give us a privileged look over Turner's shoulder, allowing us to witness the creation and development of ideas that can be traced through to his major paintings. In the absence of detailed written accounts of his extensive travels, the notebooks are also a record of his impressions of the many places he visited across Britain and Europe. This book is the first to survey the full range of Turner's sketchbooks, beginning with his teenage efforts and culminating in the atmospheric colour studies of his last years.
Vamonos! Let's go to Handy Manny's workshop and... Meet Turner, the flat-head screwdriver. Turner can be a grouchy know-it-all who loves to complain, but beneath his hard metal exterior, he’s really a softy!