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Poised between thoughts of mortality and an exquisite taste for the most tender, small details of life, the poems in Nostalgia for Moving Parts are whimsical, quirky, and resonant with memory. Deeply grounded in the rainy mists and green reeds of the Canadian west coast, solitude becomes a spiritual practice transmuting loneliness and loss into grand appreciations for the gift of childhood and the untravelled road ahead.
"In this seminal work of poetry now widely recognized to have signaled a new era in Western Canadian writing, Robert Kroetsch departs on an expedition into history and story, literary form and myth, in search of the answer to the question of how to grow a poet on the limitless prairie, where, compared with European antecedents, all is absence. The question sends him on a literary archeological dig into an early seed catalogue and from there into a garden of memory and story, where the particulars of prairie experience shape a new geography of language and expression." "In this new edition of the work that brought the long poem to Western Canadian literature, renowned Alberta wood engraver Jim Westergard adds yet another level of interrogation with a series of visual responses to the questions posed by the poem."--BOOK JACKET.
Spanning almost two hundred years, Following Sea finds anchor in the submerged regions of the heart. With great care, Lauren Carter wades into family histories and geography, all the while charting her own territories. Carried by the ebb and flow of language, Carter's second collection explores issues of infertility, identity, and settler migration, offering a tender examination of home. Urgent and intimate, Following Sea leads us along the shoreline of Carter's Manitoulin memories to show us what she has carried up from the depths.
The present volume contains papers and poems presented at Saarland University's international conference "A World of Local Voices: Poetry in English Today" (October 22-23, 1999), and the "Day of International Poetry" (October 24, 1999), both organised by the university's Department of North American Literature and Culture. The conference set out to explore how the modernist tendency towards overarching concepts and a "poetry of ideas" is slowly being superseded by a more modest "poetry of place", which at the same time seems to be loosely subsumed within the unifying medium of English in its various forms. The "Day of International Poetry" was meant to put into operation some of the poetic i...
In Brandt's second book of poetry, the raw vioce of repression gives way to a "healed heart.""These poems achieve that delicate balance between resistance and affirmation, where opposites are not rejected but burn passionately and sustain each other, as they do in our lives."--Erin Mouré
"We do not hear the sun rise. So too, the greatest moments in a man's life come quietly." With this beautiful quotation, the author begins his introduction to meditation. He draws from an esoteric tradition where meditation is called occult meditation, because it aims at uncovering the hidden laws of nature and showing the way to unification with our own inner source, the soul, through contemplation and illumination. Niels Brønsted (1938-2020) combines theory and practical use in a clear and thought-through way. By means of practical exercises he leads his reader safely through the phases and technique of occult meditation. This makes Meditation - The Royal Road to the Soul a much needed handbook for the person who wants to make meditation a significant part of his or her life.
Capturing microscopic moments in time and nature, Carla Funk’s poems bring the world to a momentary standstill. Funk translates vivid description and feeling into her poems, both testing and playing with traditional poetic form. Her writing reflects the natural world and tells the story of life’s experiences. Apologetic’s poems experiment with expressing thoughts and emotions in formal poetic traditions, confining words to metrical lines or rhyme schemes. Many deal with the natural world, moments in time spent outdoors, in gardens, and capturing fleeting impressions in the human experience. Playing with form and content, Funk evokes the idea of a flesh-and-bones body (the poetic structure) carrying a spiritual entity (the poem’s meaning). “Highway 16 Sonnet” uses the traditional sonnet form to capture a gruesome snapshot of roadkill as a harsh reality of travel on a Canadian highway. “Ring Around the Moon” describes in 5 verses of four lines each, the experience of taking out the garbage late at night and observing the beautiful night sky, something hallowed above the stench of waste.
In this shining debut, identity and community converge in poems for a modern generation. Beginning with the open prairie skies of her youth, Sarah Ens maps an emergence into millennial womanhood, questioning feminine expectations and examining heartache and disembodiment during an age of personal and planetary upheaval. The World Is Mostly Sky looks backwards and inwards to find respite in stars, warm earth, and deep waters while rejoicing in the sacred bonds of sisterhood that offer the courage to meet our uncertain horizon.
Timothy Heppner is a frustrated ghostwriter struggling to make ends meet in Edenfeld, a small Mennonite community bulldozing its way towards modernity--if it's old, it has to go!A member of the Preservation Society but desperate to keep his job with the mayor's Parks and "Wreck" department, Timothy finds himself in an awkward position when he is hired to write an updated version of the town's history book. Fuelled by two warring agendas, the threat of personal bankruptcy, and a good deal of fried bologna, Timothy must find his own voice to tell the one story that could make--or break--him.Honest and laugh-out-loud funny, Once Removed explores the real costs of "progress" in this new Mennonite classic.
"The writings collected here all testify to the complexity of Gunnars's literary vision as much as they testify to the sheer pleasures of reading her work. In her interview, Gunnars speaks both as a reader and a writer, describing the form and modes of address of her work, as well as the philosophical and literary traditions she draws from. The nine essays and two poems that follow, organized chronologically according to the publication dates of the primary texts they treat, represent a broad range of approaches to Kristjana Gunnars's work. The contributers are M. Travis Lane, Judith Owens, Janice Kulyk Keefer, Deidre Lynch, Stephen Scobie, Anne Malena, Siobhan O'Flynn, K.I. Press, and Christl Verduyn. It is my hope that readers will find in this 'critical community' some productive points of entry into Gunnars's corpus that will stimulate their own thinking about her words and ideas" - from the Introduction by Monique Tschofen.