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The monster is not always who you expect it to be... a reimagining of the Raja Bersiong legend; a coming-of-age story of an angst-ridden young man turning into a vampire, while confronted with a chilling murder-mystery. Raja Perita Deria is a carefree and arrogant seventeen-year-old; and his story begins with a seemingly ordinary night out with his close friends. However, a chance encounter with a bewitchingly beautiful woman in an abandoned temple, almost ends his life and changes him irrevocably. After an incident involving the cook and a dish of bayam tainted with blood, he discovers that he needs blood to heal and for sustenance. As heir to the throne of Langkasuka, the prince is also ca...
This volume provides a key analysis of Asian children’s literature and film and creates a dialogue between East and West and between the cultures from which they emerge, within the complex symbiosis of their local, national and transnational frameworks. In terms of location and content the book embraces a broad scope, including contributions related to the Asian-American diaspora, China, India, Indonesia, Iran, Japan, Malaysia, the Philippines, South Korea, Sri Lanka, and Taiwan. Individually and collectively, these essays broach crucial questions: What elements of Asian literature and film make them distinctive, both within their own specific culture and within the broader Asian area? What aspects link them to these genres in other parts of the world? How have they represented and shaped the societies and cultures they inhabit? What moral codes do they address, underpin, or contest? The volume provides further voice to the increasingly diverse and fascinating output of the region and emphasises the importance of Asian art forms as depictions of specific cultures but also of their connection to broader themes in children’s texts, and scholarship within this field.
A kimono-clad Tamil woman greets Japanese soldiers at the door while her Anglophile husband cowers in his Jaguar. Two sisters share a husband when one fails to produce a child for the longest time. An American diplomat's urgent inquires about the Malaysian treasury’s facilities are hilariously misunderstood. A daring civil servant proposes to a Ceylonese lady in his hometown mere minutes after meeting her, breaking a thousand years of marriage protocol. M. Shanmughalingam's debut collection paints, with gentle wit and humour, the concerns and intrigues of the Jaffna Tamil community in Malaya. At turns satirical, empathetic and insightful, these fifteen stories explore what happens when we hold on to—and choose to leave behind—our traditions and identities in a changing world.
The Contemporary Small Press: Making Publishing Visible addresses the contemporary literary small press in the US and UK from the perspective of a range of disciplines. Covering numerous aspects of small press publishing—poetry and fiction, children’s publishing, the importance of ethical commitments, the relation to the mainstream, the attitudes of those working for presses, the role of the state in supporting presses—scholars from literary criticism, the sociology of literature and publishing studies demonstrate how a variety of approaches and methods are needed to fully understand the contemporary small press and its significance for literary studies and for broader literary culture.
This book offers a scholarly perspective on heritage as a discourse, concept and lived experience in Malaysia. It argues that heritage is not a received narrative but a construct in the making. Starting with alternative ways of “museumising” heritage, the book then addresses a broad range of issues involving multicultural and folklore heritage, the small town, nostalgia and the environment, and transnationalism and cosmopolitanism. In so doing it delivers an intervention in received ways of talking about and “doing” heritage in academic as well as state and public discourse in Malaysia, which are largely dominated by perspectives that do not sufficiently engage with the cultural complexities and sociopolitical implications of heritage. The book also critically explores the politics and dynamics of heritage production in Malaysia to contest “Malaysian heritage” as a stable narrative, exploring both its cogency and contingency, and builds on a deep engagement with a non-western society in the service of “provincialising” critical heritage studies, with the broader goal of contributing to Malaysian studies.
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A classic collection of folktales gathered from the Malay Archipelago.* A story from almost every state* Clear, engaging prose* Beautifully illustrated* Handsome gift for young adult book lovers and folklore buffs