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One Big Self
“Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.”—The New Yorker Inspired by numerous visits inside Louisiana state prisons—where MacArthur Fellow C.D. Wright served as a “factotum” for a portrait photographer—One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and “counts” of things—from baby’s teeth to...
Sunday Drive
Girls left behind. Guys making bad choices. In his third book, "Sunday Drive," photographer Luke Smalley continues his journey for truth inside the lives of small town youth. This poignant photo novella tells the story of consequence when innocence takes a wrong turn. Girls getting ready, girls getting anxious. Boys bored. Wide-eyed, raw off the football field. Visiting hours: 1 to 8 p.m. As in his past volumes, humor pervades: the sobering boys' plight is juxtaposed at Smalley's bemusement of the girls' preoccupation of what to wear. Visitors Dress Code: No see through clothing. No shorts, skorts, or culottes. No leotards, spandex or leggings. No clothes that expose a person's midriff, side or back. No revealing necklines or excessive splits.
Us and Them
This groundbreaking and eloquently written book explains how and why people are wedded to the notion that they belong to differing human kinds--tribe-type categories like races, ethnic groups, nations, religions, casts, street gangs, sports fandom, and high school cliques.
Class, Please Open Your Comics
Comics and sequential art are increasingly in use in college classrooms. Multimodal, multimedia and often collaborative, the graphic narrative format has entered all kinds of subject areas and its potential as a teaching tool is still being realized. This collection of new essays presents best practices for using comics in various educational settings, beginning with the basics. Contributors explain the need for teachers to embrace graphic novels. Multimodal composition is demonstrated by the use of comics. Strategies are offered for teachers who have struggled with weak visual literacy skills among students. Student-generated comics are discussed with several examples. The teaching of postmodern theories and practices through comics is covered. An appendix features assignment sheets so teachers can jump right in with proven exercises.
Revenge
The old law of ‘an eye for an eye’ leaves everybody blind. – Martin Luther King Jr. Revenge. If you are a power-seeker, revenge can be a tool to remind others not to mess with you. Revenge can also be a way to keep order in a society where rules are weak. But revenge can come at a price. It can be a rusty knife in your back that leaves you dwelling on a spot, unable to move on, an unhappy disfigurement of shame. This collection of short stories, Revenge, puts together 25 very human responses to feeling slighted. Those who can't let go become the prisoners of revenge. But, those who can, can find a positive sense of direction and a new, liberating mission. The collection of short stories weaves itself around the idea of revenge. How to see revenge coming, and how to flee. The desire to take revenge, the guilt, and the confusion. It is all here.
Forthcoming Books
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Legacies of Lynching
Between 1880 and 1930, thousands of African Americans were lynched in the United States. Beyond the horrific violence inflicted on these individuals, lynching terrorized whole communities and became a defining characteristic of Southern race relations in the Jim Crow era. As spectacle, lynching was intended to serve as a symbol of white supremacy. Yet, Jonathan Markovitz notes, the act's symbolic power has endured long after the practice of lynching has largely faded away.Legacies of Lynching examines the evolution of lynching as a symbol of racial hatred and a metaphor for race relations in popular culture, art, literature, and political speech. Markovitz credits the efforts of the antilync...
Chris Verene
For the past thirteen years, young American artist Chris Verene has carefully documented the strange and yet oddly familiar world of his family and friends. Verene's lush color images reveal freakishly beautiful stories of simple daily joys and troubling family secrets. Curators, critics, and museums from Atlanta to New York and Europe are exhibiting and discussing his moving portrayal of family, love, youth, and aging. The geography of Chris Verene's color photography is primarily social, though the landscape is always a presence. Whether he is following his relatives around the dilapidated environs of Galesburg, Illinois, or locked in a suburban bedroom with five members of his "Camera Club" photographing a half-dressed woman draped over a bed, Chris Verene innerves us with a vision of daily life at once bizarre and banal. His high-key colors and composition occupy a terrain somewhere between William Eggleston and Nan Goldin. This is the artist's first book.
