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A first attempt to present an approach to Ukrainian history which goes beyond the standard 'national narrative' schemes, predominant in the majority of post-Soviet countries after 1991, in the years of implementing 'nation-building projects'. An unrivalled collection of essays by the finest scholars in the field from Ukraine, Russia, USA, Germany, Austria and Canada, superbly written to a high academic standard. The various chapters are methodologically innovative and thought-provoking. The biggest Eastern European country has ancient roots but also the birth pangs of a new autonomous state. Its historiography is characterized by animated debates, in which this book takes a definite stance. The history of Ukraine is not written here as a linear, teleological narrative of ethnic Ukrainians but as a multicultural, multidimensional history of a diversity of cultures, religious denominations, languages, ethical norms, and historical experience. It is not presented as causal explanation of 'what has to have happened' but rather as conjunctures and contingencies, disruptions, and episodes of 'lack of history.'
Containing translations of three major plays, in his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance.
Giuseppe Mazzini’s Young Europe and the Birth of Modern Nationalism in the Slavic World examines the intellectual currents in Eastern Europe that attracted educated youth after the Polish Revolution of 1830–1. Focusing on the political ideas brought to the Slavic world from the West by Polish émigré conspirators, Anna Procyk explores the core message that the Polish revolutionaries carried, a message based on the democratic principles espoused by Young Europe’s founder, Giuseppe Mazzini. Based on archival sources as well as well-documented publications in Eastern Europe, this study highlights that the national awakening among the Czechs, Slovaks, and Galician Ukrainians was not just ...
First published in 1991, The Noble, the Serf and the Revizor is a historical and sociological study of the Polish nobility of the Western Ukraine between the two great uprisings that shook Poland in the 19th century is based almost entirely on original, unpublished documents. Daniel Beauvois throws an entirely new light on the Polish nobility of the Ukraine, on its development and particular mentality. Furthermore, his research reveals mechanisms of domination and assimilation, which the Czarist bureaucracy can be said to have pioneered long before the Soviet empire. During this period, the Russian revizor, a key figure in the social drama described in these pages, ruthlessly lowered the sta...
Polish contemporary literature is not a closed book to European and world readers. Those not involved professionally in the production or study of literature may well have heard of Stanisław Lem, Witold Gombrowicz, Czesław Miłosz, Wisława Szymborska or the recipient of the Nobel Prize in Literature for 2018, Olga Tokarczuk. The situation is different with Polish literature of earlier periods, including the eighteenth- and nineteenth-century novel. The works of Ignacy Krasicki, Michał Czajkowski, J\'{o}zef Ignacy Kraszewski, Eliza Orzeszkowa, Maria Komornicka, Stefan Żeromski and Bolesław Prus - the exception perhaps is Henryk Sienkiewicz, whose novels were translated into many languag...
This is the first volume in English to be devoted entirely to Polish Romantic drama. It contains translations of three major plays: Forefathers; Eve, Part III, by Adam Mickiewics; The Un-Divine Comedy by Zygmunt Krasinski; and Fantazy by Juliusz Slowacki. In his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance. As products of a revolutionary Poland; they were written and published in Paris by writers who either resettled there after the Insurrection of 1830 or otherwise identified with the Great Emigration; they are permeated with the spirit of Romantic Rebellion, with pleas for universial justice, and with queries concerning the role of the poet in society. Brillant productions of the plays in Poland in the late nineteenth and early twentieth-centuries gave impetus to an entire tradition of modern Polish theatrical experimentation as well as dramatic writing which extends to the present day.
In 1988, the first edition of Orest Subtelny's Ukraine was published to international acclaim, as the definitive history of what was at that time a republic in the USSR. In the years since, the world has seen the dismantling of the Soviet bloc and the restoration of Ukraine's independence - an event celebrated by Ukrainians around the world but which also heralded a time of tumultuous change for those in the homeland. While previous updates brought readers up to the year 2000, this new fourth edition includes an overview of Ukraine's most recent history, focusing on the dramatic political, socio-economic, and cultural changes that occurred during the Kuchma and Yushchenko presidencies. It analyzes political developments - particularly the so-called Orange Revolution - and the institutional growth of the new state. Subtelny examines Ukraine's entry into the era of globalization, looking at social and economic transformations, regional, ideological, and linguistic tensions, and describes the myriad challenges currently facing Ukrainian state and society.
When the powers of Europe were at their prime, present-day Ukraine was divided between the Austrian and Russian empires, each imposing different political, social, and cultural models on its subjects. This inevitably led to great diversity in the lives of its inhabitants, shaping modern Ukraine into the multiethnic country it is today. Making innovative use of methods of social and cultural history, gender studies, literary theory, and sociology, Laboratory of Modernity explores the history of Ukraine throughout the long nineteenth century and offers a unique study of its pluralistic society, culture, and political scene. Despite being subjected to different and conflicting power models duri...
Praca oparta została na rezultatach rozległej kwerendy archiwalnej i bibliotecznej, skonfrontowanej z dziełami malarskimi Jana Matejki. Adam Świątek dokonał wnikliwej analizy ich zawartości, trafnie zinterpretował znaczenie symboliczne poszczególnych dzieł i postaci historycznych wprowadzonych przez Matejkę do jego prac. Wskazał na zainteresowania słowiańskie Matejki oraz na jego wielce pozytywny stosunek do Rusi i Rusinów, zarówno w kontekście historycznym, jak i mu współczesnym. Ze względu na ogromne znaczenie twórczości Matejki w tworzeniu zrębów świadomości historycznej Polaków, interpretacja jego dzieł pozostaje ważnym elementem badania przemian spojrzenia n...