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2. Türk El Halı ve Kilimleri Fuarı
  • Language: tr
  • Pages: 68

2. Türk El Halı ve Kilimleri Fuarı

  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

Türk Edebiyatı
  • Language: tr
  • Pages: 582

Türk Edebiyatı

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

None

Art Incorporated
  • Language: en
  • Pages: 229

Art Incorporated

  • Categories: Art

Tunnels and sculptures made from human hair; photos of rats running through drains, sharks in formaldehyde - is this what art is about today? This is a controversial and fascinating attempt to define what is 'contemporary' about contemporary art, and the dramatic changes that have taken place in the last twenty years. Stallabrass reveals the growing inclusiveness of the contemporary art world, pointing to the greatly increased visibility for women and non-western artists, and the blurringof boundaries between art and other areas of culture. Does this modernization threaten to undermine the world of art as we know it, or is this just another example of a global market demanding a certain product? And where are the artists in all this?

Power and International Relations
  • Language: en
  • Pages: 237

Power and International Relations

Contrary to conventional wisdom, the concept of power has not always been central to international relations theory. During the 1920s and 30s, power was often ignored or vilified by international relations scholars—especially in America. Power and International Relations explores how this changed in later decades by tracing how power emerged as an important social science concept in American scholarship after World War I. Combining intellectual history and conceptual analysis, David Baldwin examines power's increased presence in the study of international relations and looks at how the three dominant approaches of realism, neoliberalism, and constructivism treat power. The clarity and prec...

Art Theory: A Very Short Introduction
  • Language: en
  • Pages: 193

Art Theory: A Very Short Introduction

  • Categories: Art
  • Type: Book
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  • Published: 2003-02-13
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  • Publisher: OUP Oxford

In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Book of Dede Korkut
  • Language: en
  • Pages: 251

The Book of Dede Korkut

“The Book of Dede Korkut has been called the Iliad of the Turks . . . An excellent translation in English . . . Smooth, highly readable, enlightening.” —Books Abroad One of the oldest surviving pieces of Turkish literature, The Book of Dede Korkut can be traced to tenth-century origins. Now considered the national epic of Turkey, it is the heritage of the ancient Oghuz Turks and was composed as they migrated westward from their homeland in Central Asia to the Middle East, eventually to settle in Anatolia. Who its primary creator was no one knows, the titular bard, Dede Korkut, being more a symbol of Turkish minstrelsy than a verifiable author. The songs and tales of countless minstrels...

Ottoman Chic
  • Language: en
  • Pages: 6

Ottoman Chic

Standing at the crossroads of many cultures, Ottoman style is spiced with influences from Chinese and Indian to French and Italian. In this spectacular volume, Istanbul-born interior designer Serdar Gülgün narrates a tour of his beautiful home, a historic mansion on the Asian side of the Bosporus. Constantly inspired by the atmosphere of his ancient city, Gülgün believes a successful interior design is a place of experience in which authentic elements of culture fuse and achieve alchemy, awakening all the senses and transporting its inhabitants to a place of fantasy.

Everyday Life in Prehistoric Times
  • Language: en
  • Pages: 238

Everyday Life in Prehistoric Times

Was first published in 1908.

Islam and Rationality
  • Language: en
  • Pages: 364

Islam and Rationality

  • Type: Book
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  • Published: 2015-10-20
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  • Publisher: BRILL

Al-Ghazālī (d. 505/1111) is one of the most influential thinkers of Islam. There is hardly a genre of Islamic literature where he is not regarded as a major authority. Islamic Law, Sufism, ethics, philosophy, and theology are all deeply shaped by him. Yet in the past thirty years, the field of Ghazālī-studies has been shaken by the realization that Avicenna (Ibn Sīnā, d. 428/1037) and other philosophers had a strong influence on him. Now, after the 900th anniversary at his death, the field emerges stronger than ever. This second volume of Islam and Rationality: The Impact of al-Ghazālī brings together twelve leading experts on al-Ghazālī who write about his thought and the impact it had on later Muslim thinkers. Contributors are: Anna Ayşe Akasoy, Ahmed El Shamsy, Kenneth Garden, Frank Griffel, Jules Janssens, Damien Janos, Taneli Kukkonen, Stephen Ogden, M. Sait Özervarlı, Martin Riexinger, Ulrich Rudolph, and Ayman Shihadeh.

What We See When We Read
  • Language: en
  • Pages: 450

What We See When We Read

  • Type: Book
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  • Published: 2014-08-05
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  • Publisher: Vintage

A gorgeously unique, fully illustrated exploration into the phenomenology of reading—how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader. “A playful, illustrated treatise on how words give rise to mental images.” —The New York Times What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page—a graceful ear there, a stray curl, a hat positioned just so—and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character in...