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U.R. Ananthamurthy Omnibus
Selections from author's short stories, novels, poems, and essays.
Samskara
Made into a powerful, award-winning film in 1970, this important Kannada novel of the sixties has received widespread acclaim from both critics and general readers since its first publication in 1965. As a religious novel about a decaying brahmin colony in the south Indian village of Karnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake a plague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readable translation.
Bhava
A compelling tale of mystery, passion and spiritual exploration seventy-year-old Shastri; A reciter of Harikatha, encounters an Ayyappa pilgrim on a train. Around the pilgrim's neck is a Sri chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, A young man destined for spiritual attainment. The interwoven lives of three generations play...
Hindutva or Hind Swaraj
Born out of a meditation on the ideas of the nation state and nationalism, and what the new power structures and centres mean for the very idea of India, Hindutva or Hind Swaraj is a manifesto -- written in the form of aphorisms, using shifting tones and styles to make a deep, elegant and heartfelt point about the human cost of radicalization. This last work of Jnanpith award winner and pre-eminent writer U.R. Ananthamurthy is a creative response to the rise of Hindutva nationalism in India. Juxtaposing V.D. Savarkar's idea of Hindutva with M.K. Gandhi's concept of Hind Swaraj, the book examines the two directions that were open to India at the time of Independence.
Suragi
U.R. Ananthamurthy (1932-2014), author of Samskara and such other contemporary Indian classics, wrote in Kannada. Born in the heart of the Western Ghats, he grew up in an atmosphere steeped in Vedic thought. Suragi is his autobiographical work where he recounts how he grappled with questions of religion and secularism, orthodoxy and modernity, authoritarianism, and democracy. Drawing from Indian thought, he developed the concept of the critical insider, arguing that criticism of a culture becomes genuine and worthy of acceptance when it comes from one living within it. His evocative writing portrayed relationships shaped by the flux of contemporary India. He won the highest literary honours ...
Bara
Ajji, can I have some water? ... Just a few drops will do, Ajji. With the searing sky above and the blistering earth below, like cactus the people of this parched terrain are determined to stay alive. Emaciated children scurry along, dejected farmers pawn their ploughs, weary women sleep on empty stomachs.... Would those perishing now have died anyway? Or is hunger calling them away prematurely? Filled with social concern, Satisha, the district commissioner, wants to help the afflicted. But he is caught between the politicians who are unwilling to declare the district drought-hit and the murky local realities where a religious outfit strives to protect cows, the desperate youth hold a deity responsible for the failed rains and petty activists seek to secure their own interests. Can the idealist Satisha win the game where corrupt politicians are rolling the dice and stand by his conviction to help the afflicted? Written during the Indian Emergency, Bara depicts the tortuous realities of Indian democracy and captures the political and moral dilemmas of the educated middle class.
Stallion Of The Sun and other Stories
A collection of finely crafted stories that challenge our political, social and cultural beliefs. One of the leading exponents of the Modernist school in Kannada and Jnanpith award winner, U.R. Anantha Murthy has been a writer for nearly five decades. This excellent anthology brings together stories from his five collections. Spanning thirty-five years from 1955-89, they represent his journey from 'an angry young radical to an intensely humanist conservative' `Clip Joint' explores the conflict and confluence of Indian and Western values through an encounter between an Indian student in England and his English classmate. 'Ghatashradhha' is a severe indictment of the brahminical system where a...
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A Life in the World
A fascinating portrait of the life and ideas of the great Indian writer and public intellectual, U.R. Ananthamurthy. Between 2012 and 2013, Ananthamurthy shared his personal experiences in a series of lively conversations with academic and writer Chandan Gowda, and reflected on issues that would preoccupy him until the end. Besides the vivid accounts of his childhood, friendships, the evolution of his intellectual life, and public involvements, his passionate ideas on tradition, on India's political culture, and on language and writing make the conversations an engaging and valuable document. A Life in the World -- perhaps the first exercise of its kind done with an Indian writer -- will enthral both general readers as well as admirers of Ananthamurthy's works.
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