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Every town has a dark side, which is not easily detected. To fully know about a town, you have to live there at least for 10 years. Then, you will see a lot of corrupt things going on in it. You can try to correct them, but authorities will usually stop you from doing so. They don't like change but status-quo. This is one of the reasons why small towns are dying. When they die, they become ghost towns. How many ghost towns are there in Canada? So many. Well, one day, you cannot see your hometown any more. As you know, low population can contribute to this kind of trend. In other words, small towns can easily become ghost towns if they are not properly managed and don't attract people from other places.
“The stories are fast with page-turning addictiveness, filled with gems of street-smart dialogue…Noir collections don’t get much better than this.”—New York Journal of Books This volume includes the two underground cult-classic novels By the Balls and Five Shots and a Funeral, along with two brand-new short stories, a new introduction, and over a dozen short essays by industry luminaries. The tales follow the exploits of Ben Drake, a detective with a passion for small cigars and big fights, a love of Old Grand-Dad, and a weakness for women in trouble. North of Las Vegas in the fictional town of Testacy City, Drake sniffs out killers, thieves, kidnappers, cock fighters, double cross...
Volume 1 covers core publishing industry information: book publishers; editorial services and agents; associations, events, courses and awards; and books and magazines for the trade. Volume 2 contains information on service providers and suppliers to the publishing industry. advertising, marketing and publicity; book manufacturing; sales and distribution; and services and suppliers can be found in this volume. Entries generally contain name, address, telephone and other telecommunications data, key personnel, company reportage, branch offices, brief statistics and descriptive annotations. Where applicable, Standard Address Numbers (SANs) have been included. SANs are unique numbers assigned to the addresses of publishers, wholesalers and booksellers. Publishers' entries also contain their assigned ISBN prefixes.
"A collection of interviews with crime fiction authors. Interviews with: Colin Bateman, Mark Billingham, Cara Black, Stephen Booth, Max Allan Collins, John Connolly, Jeffery Deaver, Sean Doolittle, Loren D. Estleman, Steve Hamilton, Charlaine Harris, Vicki Hendricks, Laura Lippman, Lise McClendon, Val McDermid, Katy Munger, Warren Murphy, George Pelecanos, Manuel Ramos, Ian Rankin, Peter Robinson, SJ Rozan, Barbara Seranella, Charles Todd, Brian Wiprud"--
Plato and the Metaphysical Feminine offers a new interpretation of the role of the female and the feminine in Plato's political dialogues—the Republic, Laws, and Timaeus—informed by Deleuze's film theory and Irigaray's psychoanalytic feminism. Irene Han reads Plato against the grain in order to close the gap between the vitalists and Plato, instead of magnifying their differences. Han explores the ambivalence that the vitalist tradition, Irigaray, and Derrida have towards Platonism. The application of Deleuzian and Irigarayan concepts to the ancient texts produces a new reading of Plato, focusing on the centrality and importance of motion, change, sensuality, and becoming to Platonic phi...
When Plato wrote his dialogues, written texts were disseminated primarily by performance and oral recitation. Literacy, however, was spreading, and Frank is the first to point out that the dialogues offer two distinct ways of learning to read. One method treats learning to read as being led to true beliefs about letters and syllables by an authoritative teacher. The other method, recommended by Socrates, focuses on learning to read by trial and error, and on the opinions learners come to have based on their own fallible experiences. In all the dialogues in which these methods appear, learning to read is likened to coming to know, and the significant differences between the two methods are at...
This examination of the literary effectiveness of young adult literature from a critical, research-oriented perspective answers two key questions asked by many teachers and scholars in the field: Does young adult literature stand up on its own as literature? Is it worthy of close study? The treatment is both conceptual and pragmatic. Each chapter discusses a topical text set of YA novels in a conceptual framework—how these novels contribute to or deconstruct conventional wisdom about key topics from identity formation to awareness of world issues, while also providing a springboard in secondary and college classrooms for critical discussion of these novels. Uncloaking many of the issues that have been essentially invisible in discussions of YA literature, these essays can then guide the design of curriculum through which adolescent readers hone the necessary skills to unpack the ideologies embedded in YA narratives. The annotated bibliography provides supplementary articles and books germane to all the issues discussed. Closing "End Points" highlight and reinforce cross-cutting themes throughout the book and tie the essays together.