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Fireflies in Manhattan
Born in Ngawi, East Java, in 1932, Umar Kayam obtained his masters degree from New York University and his doctoral degree from Cornell University. It was there, in New York, where he began to hone his literary skills. The publication of his first collection of short stories, A Thousand Fireflies in Manhattan, in 1972, gained him national fame as a short story writer. The light and semi-ironic tone of Kayam's "New York stories," in which the author viewed an archetypal cast of New York characters through the lens of a nai ve Indonesian outsider vanished completely in the next phase of the author's career when he dealt with the impact of the incarceration and killings of hundreds of thousands...
Javanese Gentry
"In my mind rose a misty picture of a little girl in a floral dress. As for her face: nothing. I could only hope that she had been pretty. I sat overcome. What a procession of developments in one day! Only that morning I had left Madiun; at midday I was wobbling on a buggy past an ocean of rice fields; tonight, suddenly, I had been renamed by my parents and handed a wife." Thus begins Sastrodarsono's life, returning to his village as a newly- appointed schoolteacher, and by virtue of that position, a member of the "priyayi" - functionary gentry awesomely elevated above the peasantry of his origins. From those most traditional of Javanese institutions - change of name and a virtually imposed ...
The Cold War and its Legacy in Indonesia
Mayasari-Hoffert examines the depiction of the Left in Indonesian literature since the anti-leftist purge in 1965. With close textual analysis of Indonesian literary texts and their political context, this book investigates how the New Order regime under Suharto was able to build a metanarrative of liberation while purging the Left in Indonesia. Even after the regime’s end in 1998, many Indonesians still have an ingrained fear of the prospect of Communism, with the result being that literary representation of the Left is still seen as problematic. Through reviewing Indonesia’s institution of literature, the use and abuse of universal humanism under the New Order regime is examined, and the ways in which power intersects with literature is explored. An informative read for scholars and students of Indonesian politics, literature, and the cultural cold war.
Indonesian Literature Vs New Order Orthodoxy
"Perhaps we shall never know the truth about Indonesia's failed (supposedly Communist) coup of 1965. But the consequences were clear: the fall of President Sukarno and rise to power of General Suharto plus violent suppression of all "Communist" organizations. In the process a half million lives were lost." "This book analyses Indonesian literature produced during the New Order period dealing with the events of 1965-1966 and its consequences. It examines the political coercion that people were subjected to and how the authors deal with the taboo subject of the killings. It also considers how the Communist Party was seen and discusses the underlying reasons for why the fictional characters act as they do. Crucial here is the influence of Javanese culture and the significance of President Sukarno's political concept of Nasakom." "This is the first book-length study presenting the alternative version found in Indonesian literature of the events of 1965-1966. It also demonstrates that the concerns and perceptions of Indonesian writers differ sharply from those of Westerners."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Literature and Politics
In the discourse of Indonesian literature history, the relationship between literature and politics is pressing issue, a situation that cannot be easily to overcome. A long time ago, during the Dutch colonial government, there was a rule that literature should not discuss ideology, religion, and politics. This colonial policy lasts and never changes even though Indonesia was already get its independence. Thats why Indonesian literary society and writers have a strong believe that literature must not be involved in politics and it must not have any moral and political goals. Literature cannot be related to real-life directly because literature is only a fictional work. The historical aspects ...
Theatre and Adaptation
Contemporary theatrical productions as diverse in form as experimental performance, new writing, West End drama, musicals and live art demonstrate a recurring fascination with adapting existing works by other artists, writers, filmmakers and stage practitioners. Featuring seventeen interviews with internationally-renowned theatre and performance artists, Theatre and Adaptation provides an exceptionally rich study of the variety of work developed in recent years. First-hand accounts illuminate a diverse range of approaches to stage adaptation, ranging from playwriting to directing, Javanese puppetry to British children's theatre, and feminist performance to Japanese Noh. The transition of an existing source to the stage is not a smooth one: this collection examines the practices and the complex set of negotiations each work of transition and appropriation involves. Including interviews with Socìetas Raffaello Sanzio, Handspring Puppet Company, Katie Mitchell, Rimini Protokoll, Elevator Repair Service, Simon Stephens, Ong Keng Sen and Toneelgroep Amsterdam, the volume reveals performance's enduring desire to return, rewrite and repeat.
Of Self and Injustice
Since the downfall of Soeharto in 1998 many autobiographical writings have appeared in Indonesia from the pens of those who were marginalized by his so-called New Order regime. This book examines representative autobiographies of several such individuals: two ex-political prisoners who describe themselves as Muslim Communists; two writers of the left, one a woman in a senior position in the left-wing women s organization, Gerwani, and one a well-known male novelist who spent years in exile in China and Russia; two Muslim opponents of Soeharto, one an intellectual and the other a political campaigner; and finally, two collections of short autobiographies by the younger generation, one a group...
Religious Authority and the Prospects for Religious Pluralism in Indonesia
This book deals with the role and authority of such traditionalist Muslim scholars as A. Mustofa Bisri and Emha Ainun Nadjib in seeding religious pluralism in Indonesia. It shows that it is not necessary to base religious pluralism on "liberal" or "modernist" stances but rather on "traditionalist" attitudes. Religious pluralism can be smoothly connected to "traditionalism", so that this may preserve greater credibility in the population. Traditionalist scholars may play a considerable role in promoting religious pluralism in the society, in general, and among anti-pluralist groups, in particular. The account of the role and authority of these traditionalist scholars is significant in revealing the prospects for religious pluralism in the country. (Series:?Southeast Asian Modernities, Vol. 17) [Subject: Religious Studies, Southeast Asian Studies, Islamic Studies]
Asia and the Historical Imagination
This collection explores the interpretation of historical fiction through fictional representations of the past in an Asian context. Emphasising the significance of region and locality, it explores local networks of political and cultural exchanges at the heart of an Asian polity. The book considers how imagined pasts converge and diverge in developed and developing nations, and examines the limitations of representation at a time when theories of world literature are shaping the way we interpret global histories and cultures. The collection calls attention to the importance of acknowledging local tensions—both within the historical and cultural make-up of a country, and within the Asian continent—in the interpretation of historical fiction. It emphasizes a broad-spectrum view that privileges the shared historical experiences of a group of countries in close proximity, and it also responds to the paradigm shift in Asian Studies. Discussing how local conditions shape and create expectations of how we read historical fiction and working with the theme of fictionality and locality, the volume provides an alternative framework for the study of world literature.
