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Umphrey Lee
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From Faith to Faith
The idea that covenant theology is profoundly influential in John Wesley's theological thought seems dissonant. What would an evangelical Arminian have to do with a theological framework that historically belongs to a reformed understanding of salvation?How could this possibly square with his ongoing conflicts with the Calvinism of his day? On the basis of compelling evidence from his sermons and correspondence, this investigation dares to explore the idea that covenant theology is part of the infrastructure of Wesley's thought. The discovery of its role in shaping his narrative of the way of salvation is surprising and intriguing. Wesley is not only informed of and fluent in covenant theology, but also thoroughly committed to it. 'From Faith to Faith' demonstrates that, with theological precision and discernment, Wesley appropriates covenant theology in a way consistent with both its primary theological features and his Arminianism. His distinctive view of 'the gradual process of the work of God in thesoul' supplies valuable grist for further reflection, especially by those charged with the care of souls in the twenty-first century.
The Supernatural and the Circuit Riders
In The Supernatural and the Circuit Riders, Rimi Xhemajli shows how a small but passionate movement grew and shook the religious world through astonishing signs and wonders. Beginning in the late eighteenth century, early American Methodist preachers, known as circuit riders, were appointed to evangelize the American frontier by presenting an experiential gospel: one that featured extraordinary phenomena that originated from God’s Spirit. In employing this evangelistic strategy of the gospel message fueled by supernatural displays, Methodism rapidly expanded. Despite beginning with only ten official circuit riders in the early 1770s, by the early 1830s, circuit riders had multiplied and ca...
Catch a Falling Star
Catch a Falling Star, the life story of Donald Clayton, follows the struggle of one human being to find love and to create scientific understanding of the origin of the atoms of chemical elements. Born on an Iowa farm, son of an aviation pioneer, he became the first among his family to attend college, then graduate school in physics at Caltech. His three marriages reveal his battle with sexual anxiety and a sense of loss. At the same time he struggled to discover new knowledge about the creation of the atoms of our bodies and our earth. His close friendship with two great pioneers of the origin of matter enlivened his scientific life in the United States and Europe. His discoveries created t...
Stanley Marcus
Randall (English and drama, Duke U.) demonstrates that drama lived on under the English Commonwealth despite the official ban on the theater. He describes how plays continued to be wrought, translated, transmuted, published, bought, read, and even covertly performed. He also shows how drama became more topical and political during the period. Annotation copyright by Book News, Inc., Portland, OR
A History of the Perkins School of Theology
"Since its founding in 1915, Southern Methodist University has had a school of theology. As a seminary in a university, the school has existed in a creative tension between academy and church; Grimes narrates the school's history from his point of view as one committed both to church and to academy, having been a leader in the field of Christian education in both." "Grimes ponders the role of the theological faculty in leading - or not leading - the university during its times of crisis and change. Thus, the history of the school of theology is set within the larger history of the university's challenges and changes. Though a history of SMU's early years exists, the present volume provides a...
Dissembling Disability in Early Modern English Drama
Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments.
John Wesley, Natural Man, and the 'Isms'
John Wesley, founder of the Methodist Church, is one of the world's greatest religious figures. A practical rather than systematic theologian, he wrote and preached for the common man. He is well known as a man of one book (the Bible) but he read like no other during his time. We are left with fourteen volumes of his works and eight each of his letters and journals. His brother became the troubadour of Methodism, writing countless hymns. John also took classic Christian works and edited them for the common man to read. And if this were not enough, he preached thousands of times both indoors and out. In John Wesley, Natural Man, and the 'Isms', J. Robert Ewbank examines what Wesley thought ab...
