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This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
Schools will not be able to continue to improve unless they move away from an over-concentration on the short-term and focus on the strategic nature of planning and development. The more targets, the less the effects - what we need is strategy and sustainability. This book links school improvement planning and strategic development for leadership enhancement as well as for management accountability. Short-term planning, in the form of target-setting plans aimed at improving standards, has gained increasing importance. While the book agrees that this is necessary, it puts forward the view that short-term planning is not sufficient for the longer-term development of the school. Sustainability ...
In a complex and multi-layered world, the conventional idea of great leadership being the result of the efforts of a single individual is rapidly becoming redundant. This book takes up the challenge of finding an alternative method of leadership in educational contexts, and looks at how this can help achieve sustained improvement in schools. The authors acknowledge that there are no simple solutions to school improvement. They argue that the effective leaders of the future will be those who are able to share responsibility, build positive relationships and offer stakeholders - teachers, parents and students - an opportunity to work together to improve their schools. The book is based around ...
La família Sackler és una de les més riques del món i és coneguda per haver fet donacions molt generoses a entitats i institucions de l'àmbit de les arts i les ciències. També és la responsable de produir i promocionar l'OxyContin, un opiaci venut com a analgèsic que ha provocat milers de morts i milions d'addictes als Estats Units. Patrick Radden Keefe retrata de forma implacable les tres generacions de la dinastia farmacèutica que ha causat una de les crisis sanitàries més devastadores dels últims anys, i en responsabilitza, també, tot l'entramat d'advocats, funcionaris, metges i polítics que han ajudat a perpetuar-la. L'imperi del dolor és una obra mestra que revela amb rigor i precisió la cara més fosca de l'ambició humana.
It had been years since I had seen any of the children with whom I had grown up. When I left the children's home, I promised myself that I would have nothing to do with them, I was sure that my only chance of living a good life would be to put the past behind me, even though that meant saying goodbye to some of the people I loved the most - as well as the ones I hated...it turned out that six of us had died, several by slow suicide in the form of heroin abuse, and at least two by faster means. When two police officers arrived out of the blue at Paul Connolly's door, he learned the shocking news that, out of the eight children with whom he shared a dormitory in care, only two were still alive...
Chip Heath y Dan Heath explican por qué algunas ideas sobreviven y otras mueren.
“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti,...