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Living Matter
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This g...
Handbook of Latin American Studies, Vol. 76
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
Conozca la UNAM
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Age of discrepancies
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
Memoria 2006
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Hotel Mexico
In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the countryÕs rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the Ô68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. Ê In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and MexicoÕs leftist intelligentsia. In this highly original study of the afterlives of the Õ68 Movement, George F. Flaherty explores how urban spacesÑmaterial but also literary, photographic, and cinematicÑbecame an archive of 1968, providing a framework for de facto modes of justice for years to come.
The Catherwood Project
Departures -- Of moons and alphabets -- The travels of Stephens and Catherwood -- Between stasis and motion
Performing Utopias in the Contemporary Americas
This book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities.
México (Guías Visuales)
Planifica tu próximo viaje con las renovadas Guías Visuales de DK: con nuevas secciones, más ligeras, fotografías inspiradoras, mapas mejorados y papel ecológico La Guía Visual de México cuenta con información práctica sobre transportes, horarios y visitas. México es un país único: rebosante de paisajes espectaculares y famoso por sus maravillas arqueológicas. Prueba la deliciosa comida callejera en Ciudad de México, nada en los cenotes cristalinos de Yucatán o maravíllate con las imponentes pirámides mayas. ¡Bienvenidos a México¡ * Exclusivas ilustraciones * Planos en 3D de monumentos representativos * Excursiones por paisajes fabulosos * Itinerarios recomendados * Explicaciones detalladas de los principales lugares de interés * Recomendaciones de restaurantes, hoteles, mercados y locales nocturnos * Información práctica sobre transportes, horarios y visitas * Consejos de expertos Tu viaje a México comienza cuando abres tu Guía Visual
Visualizing Loss in Latin America
Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
